Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
最近还看了巴斯光年，比巴斯光年要好太多了，该看的4DX，很久没有那么开心！
还可以。并没有不懂装懂，整理来说对中国文化的使用还是比较尊重且认真的。笑点也不错。小小鸡超可爱。
鸡肋鸡肋。比较惊喜的是看到了神偷奶爸1的几个人物
我要打十颗星，不，一百颗星!就是咔咔一顿简单直接超快乐!
小黄人一如既往的可爱坏萌，人的部分都很无聊。中国元素部分有些刻意。笑点还是蛮多的，就是希望这个系列不要太消耗小黄人，希望多些内容，少些形式主义。电影过程很多人模仿，电影结束响起了热烈的掌声。在波兰，观众这么热情，还是第一次。
还可以。并没有不懂装懂，整理来说对中国文化的使用还是比较尊重且认真的。笑点也不错。小小鸡超可爱。
开头的Universal jingle竟然不是Minions唱的☹️但我还是爱小黄人！
狗狗眼卖萌直接给我送走了😭😭😭😭
中国元素好多🥺🥺 中间小黄人学功夫，老师教的那些功夫哲学确实好中式🥺 中式元素在电影里的运用很符合整个故事背景和情节。一般没那么喜欢商业片，but 5🌟 for this！
很开心中国的元素被越来越多的文化所接纳和喜爱，这是一部很有趣的电影，能笑的很开心。
小黄人们依旧令人忍俊不禁和减压。片里的中国元素好评！但故事单薄了，期待甚高而略有失望。
剧情太太太虎头蛇尾了啦～～但的确是愉快的八十分钟，准确的笑点和萌点kudos。双眼仔和Otto 妈妈爱你们🥺🥺
可爱是小黄人的通行证，卑鄙是格鲁的墓志铭。
十二生肖是整对了，可这个八卦来自哪个维度？低级错误，不能容忍😆
小黄人话翻译不了吗？动画电影枪版竟然影响不大
音乐很拉风，节奏和播放时点选择地很好，在唱片店面试很酷，配音很敬业，中国元素很多，有汉字和中文片头曲，石头元素感觉联动了妈的多重宇宙？最后小黄人赛高！
中国元素估计是为了吸引内地市场用户，但整体偏幼稚向，有些无聊😔
恶意卖萌和讨好中国，感觉如果没有疫情，这很可能是北京环影开业献礼片～ 短期内不想再看到任何石头和👀
开头中文歌，Chinese New Year 而不是Lunar New Year，中国不引进真的会伤Universal的心💔三星半吧，最后神兽打架着实有点无聊。
可能是看的时候吃了热狗变得很饱，看到后半部分睡着了一小会儿……
Copyright © 2015-2023 All Rights Reserved
