Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
其实是一部还行的喜剧，笑点是有的，但是剧情太过简单，什么起合转折都没有……彩蛋倒是挺有意思
惊喜啊，居然有焦俊艳，之前就很喜欢她，这次的发型很适合她，演的也很不错啊
开篇很好，很有希区柯克的感觉，后面垮了，结局一点都不意外。
人物动机极不明确，“变好人”的终极主题太过浅显，情节处理也过于草率，无非是靠着与静物对话的新颖设定制造一个又一个段子式的笑点，也无非停留在调侃性趣味和“屎尿屁”的阶段，但是这些段子，偶尔，蛮受用的。
出发点是好的，想讨论的议题和室内惊悚的形式，但是到最后都变得很没意思
挺有趣的电影啊，虽然改编自漫画 作为国产喜剧还是挺有新意的，评分给低了吧
抢劫劫持，最后演变得不可收拾，暴露人性大黑暗。小成本搞成这样可以了。
非常强烈想坐在电影院看电影 同期其他题材都不想看的情况下买了它 如果周围人多笑几声也许能有点喜剧氛围。全程更像是我在看正在看电影的我 也许只是想在空旷的黑暗里盯着发光的荧幕放空 这可能就是往往知道烂还一定要在电影院看的原因吧 妙的是只有够烂才能发挥此效果 那加一星。
说无聊吧，还比较有趣，说有趣呢，实在很无聊…转折和铺垫都很突兀…
不知道是不是年纪大了，越来越觉得这样的电影好看了，一个脑细胞都不用，轻松减压。
设定很好，选的演员也不错，就是故事真的不咋地
《遇见王沥川》小秋姐弟变初恋，江德华：这叫乱伦
为了张雪峰而来，基本就是全片仅有的看点了。节奏稀碎毫无逻辑乱七八糟莫名其妙，小毛贼居然偷得了卢浮宫，开车去郊区突然就上热气球了，都什么鬼。二狗打架那段比较有意思
折腰系鞋扭全局，毒妇嫁祸诡谲尾。
只能说精华都在预告和彩蛋中，故事太一般了！
林更新只出现在片尾彩蛋
就来看看柯林斯美女。她居然嫁给了导演，而这导演就是个庸才，前任却是另一个大美女。哈哈，八卦更精彩。电影很普通，就是个小场景舞台剧。
最后的林狗本狗是边牧，台词还有“九亿少女的梦”真是嘿嘿嘿
张雪峰太不出戏了哈哈哈哈哈，挺好玩的啊，最后的林更新哈哈哈哈哈哈
中二幻想温暖又治愈，超能力设定很有趣，狗狗马桶演的很棒，但是情感戏很尬……亮点在花妞，哈哈哈
Copyright © 2015-2023 All Rights Reserved
