With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
这么多中国元素的电影。。。。竟然是大陆出品。那就是这么多欧美元素。。。
这种不在乎表意而关注人物情感和关系的电影语言还真是青春恣意啊，《热情花招》式自由叛逆。
你们都温馨甜蜜的爱国，我却是雷打不动的动画片。全场很嗨，家长也没睡着，就算不错。甜甜圈🍩和鸟🐦最后还有了爱情结晶，惊喜～ 有上海，有北京，有长城，有郑和，还放了烟花，也算是“庆生”了～
比我想象中好看诶，还有一些科普历史的内容
挺不错的片子，感觉除了我们，其他人拍片子少了很多禁忌。
动作戏码少的可怜，笑点也尴尬的不行，探险情节更是凤毛麟角。还有桑德拉已经快60了好不好，导演你是哪来的自信觉得她还能演爱情戏。
青春伤痛文学，学生恋爱+大尺度，一些定式往里塞。在剧情中穿插意识流/蒙太奇，好像在升华在推进，但说到底叙事（逻辑）没打穿。🙁女主爱情的附庸的形象看着很不快，以为能够感动和改变男主都是幻想，渔港“分手戏”太生气了🤨
本来不抱希望的 结果竟然觉得喜出望外的好 非常适合带孩子看 可以算所以带娃看的影片里排名前三的 故事情节有趣 教育意义也恰如其分 完美的中外合作电影
过期演员一台戏。。。资源怎么这差了，都混的。。。。
充斥着网络烂梗，作为一个给孩子看的故事剧情还有亲嘴生孩子等剧情是不是有点过于超前了
这电影色色的，女主怎么还漏乃乃了。我还以为看错了。
太好看了，牛逼，这样的日系青春片，再来几部
既然是女性视角片了为什么还要穿这么闪亮紧身的jumpsuit嘛
几乎全程见证了一部国际水准动画片从开发到上映背后的努力和艰辛，更是极少数能用好莱坞团队讲好中国故事的先例！
跟小朋友一起看的，也看的津津有味，就是不知道是不是真的有这样的物种
带娃去看的。这个语言太成人，娃娃们不会觉得好笑。情节一般，形象设计也没啥新意。
我觉得可以7分吧，剧中的各种造型很加分，小白的反转也有点意外，最后结尾还是蛮刺激，是适合小朋友和大人的喜剧，国庆嗨翻天就ok了。缺点是中文翻译有太多网络词，违和，显得无聊了。
国内外的青春电影都一个德性么？风格阴郁冰冷，揉杂性,暴力,家庭的隐秘,几角关系等等，最后还要来个死亡和入狱才算完整？只差女主怀孕堕胎了。怪不得叫青春疼痛电影，一般人的青春貌似没这么大胆初二初三就脚炮友了，有些台词如对白中所说，够中二。女主的头永远抬不起来我也是不太理解，可能我终究是活成了一个平凡乏味的中年人了吧
正常的中学生不会为了做而做，因为身高长相被拒绝了，就好好地去提升其他方面，上大学和进入社会总会遇到能够相互吸引的人。
长毛的甜甜圈~😅 总感觉一个生物，中间是空心的，好怪！很适合小孩子看，蠢萌蠢萌的~
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