The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
我的孩子
1.为什么不能叫我和我的长辈？2.期待看徐峥按鸭先知的风格执导一部长片。6
火箭是
徐峥这段有点意思啊，不但采用了韦斯安德森式美学，甚至还有点雅克塔蒂的味道。
是伟大的开始
如果可以
拼盘式电影在快餐式时代市场是巨大的。
四个故事，
《少年行》这段乍看起来是沈腾式的喜剧片，细想起来文本上对标的是《菊次郎的夏天》。其他单元的父辈都是大人，沈腾单元的父辈是小孩。沈腾的大人是未来的子辈。从点题来看更具有创意和想法。
吴京的个人英雄主义什么时候能改改
其实不好看，这个故事拍得不怎么，吴京的电影特色：硬燃、硬煽情。
而你/我的孩子/是让平凡的我/
新世界的开始
梦你所梦的团圆
四个篇章按质量排序依次是三二四一，按个人喜好排序依次是三四二一。
《乘风》：人物和故事梗概都是真实的，细节基本都是臆造的，整体观感一般。
徐峥的《鸭先知》，剧情本身就非常有韦斯·安德森电影的味道。虽然美学模仿痕迹严重，倒也不违和。
我的孩子
死亡是验证生命的东西/
看哭了，章子怡那一段，这么多年了她还和《我的父亲母亲》里一样
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