Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
由于动作戏水准的提升，观感比第一部好，更直更简单的情节线，也极大提升爽度，纯娱乐片需要这样，别拐弯抹角，见招拆招层层递进即可。孙锡九稳压马东锡，无论是气场还是演技，后者只会装，实在没啥意思。
这也是犯罪动作片的标杆了，剧情简单直接，没废话，拳拳到肉，马东锡的个人表演秀。比同期的续集魔女2好了一大截。
以暴制暴的警匪题材，拳拳到肉，印象中是难得正面形容韩国警方也是能打的电影。
3.5啊以西，西八，keiseigia ～溜溜的
看这种犯罪爽片最怕遇到降智行为。上一部的蠢钝家暴男、试图躲进厨房报警的店小二，这一部前后两个闯进绑匪的老窝不戒备的警察，以及竟然不安排警察去当司机，真的会削弱电影的爽感。
同样的题材 相似的故事 反派依旧很残暴 但感觉不如第一部惊艳 最大的变化是马东锡的脸越来越宽了
220721. ★★★★★☆.解压！反派的狠劲犹如子丹哥上身，肉搏战较前作全面升级，力道呈现堪称当代韩国时装动作片的典范（之一）（去年的代表是摩加迪沙）；编导和战术顾问（有的话）的智商在吴东均被捅一段临时剧烈下线，大为拉低了影片的格调。问一下资深的大人们，在一拳警官的绝对力量面前，“杀气”这玩意儿有什么用？能叠物抗抵多几拳？雷奇和斯塔赫斯基镜头下的人物不过是比张谦“编舞”更眼花缭乱罢了，跟本作是一条路子的吗？？？多点视智重疾的自觉，少嗦鬼子少放屁。年度笑话。
节奏欢快 哈哈哈 下一部 马东锡是不是要手撕灭霸了
中途笑了很多次。不属于捧腹那种就是能get到一些笑点。这一部与上一部同样的毛病是反派的无法无天豁出命的手段比较难以理解。江湖也是有规矩的。另外觉得马东锡打的少了。反派的狠比不上张谦。其他杀手什么的太菜了。
一星给马东锡的拳头和巴掌，一星给大反派扎的刀子，一星给两个人最后打了一架，观影完毕，心中毫无波澜。
马东锡打戏就是一拳倒一个太爽了，孙锡久的长相太适合演混混恶霸狠人了。看他俩决斗就好像看不同公斤级的拳击手打架，都是高手，但马东锡的拳头更重。
20220729 在ins上有留意到马东锡po的关于这部的一些制作场景，后又被密集的媒体报道给种草。正所谓期望越高，失望越大。看片时不需要费脑筋，完全就是看🐴大胸肌如何拍死匪徒。要说可看性，远不及他的《愤怒的黄牛》
现在就是整个沉浸在马叔的男子力中无法自拔！大爽片大爽片啊
（7.5）。比第一部好看，剧作更好笑点也更好笑。尤其动作戏精彩不少，越南两场室内打斗和最后公交车对决可看性都非常高。和马东锡打的这反派也真是铁骨铮铮啊，太抗揍了，按这打法和力度全身都得骨折一遍，看到最后我都开始同情这反派了。
除了打斗场面其他就没什么可看的了。这次不肯给四星，主要也是因为韩国人实在太好笑，拍个小电影还处心积虑的埋汰下朝鲜族，埋汰下中国人，真是小国情绪，就冲这么小心眼，就必须小心眼的给5.9分。哈哈哈
爽片，动作戏很棒。但马东锡就像大力神，碾压一切，没有痛感，过程中只有爽而不会为角色有任何担心了
韩国西巴战神这次甚至亲自下场做编剧，角色设定给得相当明确，就是敌人遇见感到可怕，观众看见觉得爽快兼好笑的存在，很大程度上即一拳超人的套路，能极大满足观众对压抑的戾气的宣泄和力量支配权的意淫。
一连把两部都看了，水准相当，看马东锡掴人真的太爽了。别让马东锡找到女朋友，把这个系列一直拍下去。
有爽到反正 有点故意可是 但we need this铁拳
《犯罪都市2》和首部一样酣畅淋漓。各国犯罪动作片日渐式微，好久没看到如此激爽的了。建议“韩国巨石强森”·一拳超人马东锡火速加入复联。上部“哈尔滨张谦”后，新任反派孙锡久更为惊艳，疯批又阴险，之前在《我的解放日志》里就觉得他很合适演杀手[旺柴]。现在各类动作片里的马东锡并非只是单薄无脑的工具人形象，开始形成极具特色的个人风格，期待下一部佳作。
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