Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
●竟然意外的非常不错！！这评分太低了！
就挺普通的，剧情挺新颖的，但是结尾还是玛丽苏
打戏还凑活，文戏零分，这几个演员除了安志杰，都不好看
太多网络用语略显尴尬一些历史细节其实能启发一些兴趣
大女主的爽片！单独拍一部女主希娜的故事吧！又飒又狠，要什么爱情！
穿帮也太严重了，金刚白衣服刚抹上去上去的手印，下一秒就没了
剧情毫无逻辑，想到哪拍到哪。也是有不少降智操作。安志杰好不容易演一次主角，还给人家用配音。《觉醒年代》里饰演易群先的那个小姐姐在这里演的那个反派还是挺有看头的，以及安志杰的身材相当的不错
在网络大电影里这片算是值得一看的：剧情比较老套没有多少的惊喜，但动作演员出身的安志杰带来了多场多样化的动作打斗戏，看的比较爽
一和二星之间，比上不足比下有余。N
电影动作足够精彩，在网大里算是不错的了，但论剧情只能算中规中矩，两个主角的不死光环太离谱了，一个听声辨位的狂战士，如果按照正常逻辑可能活不过半程。从龙王到金刚，一场一对多一场一对一，安志杰打得比较过瘾，可毕竟是警察出身还有一丝善念。杀人还得杨杏出手，看她用刀用枪行云流水，这才是观众期待的爽点。
比狗熊喜洋洋大头这些动画片好多了。又萌又搞笑，穿越做的也挺讲究。票房遗憾了。
挺爽的电影，如果不是纯瞎了会没那么多槽点吧
逻辑稀烂，暴力爽片，女反做作但不招讨厌，算加分项。安志杰没火没道理啊！
女反是想模仿哈莉奎茵？算了，剧情懒得吐槽，安志杰还是挺帅的，没大红可惜了。
一部动作电影能让人看的昏昏欲睡也是挺不容易的。电影也就开头部分还能看看，后面完全拉胯。安志杰演的完全就没有一个盲人的样子，要说仅有的亮点可能也就是女主了吧，稍微演出了一点个性。其他所有演员可以说都完全不及格。而且盲人打架掣肘太多太多，导致动作场面也不合格，至于剧情，还是不提了吧
主创对反派的理解，或许就是郝蕾口中不那么响亮的“炸裂”。
大陆的动画开始走向了两个方向，一个是重工业的各类传统IP改编作品，一类是国内资本+国外主创团队
动作演员就是这样，但凡遇到一个好的动作指导和一个好的桥段，身价就出来了。
动作不错的爽片，女主很像辛芷蕾。其它的无感。
剧情毫无逻辑，想到哪拍到哪。也是有不少降智操作。安志杰好不容易演一次主角，还给人家用配音。《觉醒年代》里饰演易群先的那个小姐姐在这里演的那个反派还是挺有看头的，以及安志杰的身材相当的不错
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