Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
好嘛，终于知道为什么超级英雄喜欢内裤外穿了。。。
十分搞笑的轻喜剧，不用什么剧情和逻辑，笑就完事了
故事设定很不错
联合试训，有个爱德华兹轻易过掉主角的回合，那次防守时男主完全没给对抗，就在站桩。这简直是灾难，所有前面夸耀的天赋和努力，在这一个镜头里几乎坍塌。这也是这个电影最致命的地方，华彩的“一球成名”梦背后，仔细一看现实性和成人性几乎为零。
把篮球当作信仰的人们的故事！关键是下一场！最大敌人是你自己。这是我的篮球哲学！
致敬雷神绿巨人美国队长和钢铁侠那段高潮，太搞笑了，笑出了声。不剧透了，值得消遣的开心片。正好隔离中，隔离时的选片很重要啊，就要开心恶搞就好。
预期过高，稍微有点失望，黑漫威DC当然黑得很过瘾，但其实不算新奇了，DC家自黑有时候都比法国人低俗。比较牛逼的超英之外的，巴黎圣母院，吸尘器广告，马路臆想症，这种比较“法国人”的幽默
2022年第129部：其实还不错，恶搞电影，但还是太收敛了。
I love France! 全程高能！对于漫威、DC一众美国超级英雄的消解，还有迷影的彩蛋、“乳法”的玩梗。太爱这部了，感觉可以入选我今年十佳（好久没有喜剧电影入选了）。
法式恶趣味，把DC和漫威恶搞了一遍，比较儿戏，但当做找彩蛋还是蛮有趣的，连斯坦李的客串都模仿了，用心了。
戏谑得很到位。
笑果很不错哈哈。演女友的演员非常迷人，好像没啥名气。
我就想知道巴黎圣母院什么时候再修好？
贱贱的法国喜剧，同城市猎人一样的调调，很久没有看电影了，虽然是爆米花电影。但是梗的确也是好笑的。在糟糕的天气里，低迷的气氛下，真的很适合看这种搞笑的片子
笑到发出鹅叫，漫威DC的精髓都学到了，哈哈
蜘蛛侠倒挂接吻，和最后那段广告植入笑到喷饭~~！！还有复刻妇联大战那段奔跑，和接下来那一堆电影拍摄和道具的槽点，是全片最精彩的密集笑点！！哈哈哈哈哈~~至于爱情戏的反转，短短几分钟就让人感动到，可以拿去做教材了！
恶搞超级英雄的那几个桥段真是看的乐哈哈，片子尺度也挺大的，时不时的会有感觉蛋蛋的忧伤😜
Philippe Lacheau 的喜剧虽然充满了屎尿屁 但总有笑点和新意 这次是夫妻变兄妹了 但老搭档们依然在 老爸的安全驾驶的车早就埋梗好了 哈哈哈哈哈 恶搞了各类美国超级英雄 还吐槽自己法国没有那么多经费 但创意真不错
蜘蛛侠那个梗，哈哈哈，蜘蛛侠做梦都想这么干
屎尿屁恶搞漫威DC，笑点算密集的，和反派打斗比较有新意
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