Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
典型的日本温情治愈动画画风。很多细节抓的特别好。剧本故事就难免流于俗套了，能猜到剧情发展的方向，以及最后红崇也死的太容易了一些。适合夜晚轻松一下的小电影吧。
可能看的时候并没有太投入，错过了很多细节。看到最后一幕，突然来了兴致。改日二刷好了。
“我们别无选择，只有竭尽所能。”
如不能吞咽所有真实，便只能将自我放逐，三千世界尽为虚假，唯有舌尖火焰一瞬如炬。
那些未知的奇妙物，只要内心善良都不可怕。灾后重建，不仅是重建生活，还有心理。每个被留下来的人，面对的是满目疮痍的心灵。
重新定义家族的意义。悲伤失望的情绪会相互感染，化身一种无穷的力量压迫。背负这些但仍对未来充满希望和信心，这样迷途之人也能找到回家的路。
画面极美，治愈～ 生活很难，尽自己力所能及
配乐很像小森林，高潮部分没有表达好，还是有些单调了……
细节改编到让很多地方感情表达不太一样了，更通顺也更通俗。原作里被爱说侧脸像天使的美雪，在电影里却要给爱解说电锯人里的恶魔，很有趣了。拗らせオタク性癖集大成的たとえ怎么可以这么拗らせオタク性癖集大成？
画面挺好看的，截图了挺多张桌面。故事一般般吧，可以看。
打斗场面有点太简略了，虽然说不好展开
为什么要去伤害女二这样一个可怜人呢。病娇女主演得挺好，可是这种疯批性格真是爱不起来。
颜值都不咋样，行为都难以理解，三个人都很欠打！
种种小情绪捕捉到位，台词矫情，女主真是太心机，角色立得马马虎虎，不如女二完整，6。
后半段在看的时候觉得略垮，可能是主观上觉得太乱了，但仔细想想会觉得这个结尾收得非常高明，也符合逻辑。在看的刹那间能被猛烈冲击到，回味起来又觉得有温情在弥漫。
有点过于中二了hhhhh 但看到最后一句台词的时候还是忍不住“噗”的一声笑了出来
作间蛮帅的这个角色也很有意思／喜欢美雪这样的人！／山田杏奈的嘴看着好难受啊啊
战胜怪力 重新拾得幸福美好
是我不該在正片追求脈絡，即使是正片也都是情緒衝撞成為更有效的溝通方式，而並非靠邏輯解釋。換句話說，愛醬對美雪的親密對我來說沒有解釋到，我也不希望那只是愛醬接近或者佔據tatoe的手段。最有張力的是愛醬和tatoe一對一的戲份，一個感情像是火山爆發，一個則是心如死水，但是這兩個人兩種情緒在相互碰撞，要麼就是天旋地轉，要麼就是「拾壱ノ型 凪」。山田杏奈很適合這種看起來一帆風順但其實性格扭曲的JK。作間龍斗和田中偉登，一個陰一個陽，一個塩一個タレ。
女主性格强势，人狠话不多，气场满满，很难不喜欢啊！
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