With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
整体来说不是很吸引我 结局凶手的反转还是挺有意思的。总感觉这次的重复推演有一点拖沓，看得很累
放大后影响的
香川叔穿起粉色西装当一个好欺负的爸爸➕上司真可爱
「不做那些奇怪的手势不也能好好说话嘛！」愚蠢的佐田根本不懂我们果皇的魅力点！！！各方面比sp都好很多，大家吵吵嚷嚷看着很热闹，但本质是个老天都落泪的悲伤故事，揭露真相后并没有改变什么，恶人未受到惩罚，逝者也已不可追。以及为什么玩了这么多梗还是没有我们rock you啊！！rock you已经是昨日黄花被抛弃了吗（老天又落泪啦
推荐指数：🌟🌟
推理还可以 叙事有点墨迹 好几个地方镜头太碎了看着很晕 并且中二感太强
剧情有点点太强行了/从未发现道枝长得这么像志尊淳😅😅😅
ps.包着头巾的道枝骏佑无数次幻视我记忆里的蔡徐坤，小男生留什么刘海啊，露额头可好看多了（doge
居然直接猜中凶手...michi演技不太行，全片最佳还得是西岛叔。nana又出现了但还是打了个酱油，什么时候能再搭档深山啊。接着拍下一季吧😭😭😭主题曲响起的时候真的绷不住了
喜欢99.9！
这个系列水平比较稳定了，就是既不会太差但是也没什么出彩的亮点。SP把西岛叔塑造成一个大BOSS的既视感，结果电影里最后找J来求救算是半个委托人了。15年前的案子要案件重演其实挺困难的，虽然有video，道枝白白净净的在田间干活一点说服力都没有好嘛。手法和刚演完前男友的遗书里坑大洋泉的手段很像，没有感到震撼。J这次和小花搭档又是另外一个感觉吧。和第一季和第二季斗嘴居多，电影则是女主仰慕J，能看到77和文乃客串是很惊喜啦~
主角团一如既往的日式幽默与认真并存，
剧情好像只值得电视剧 不过杉咲花越看越可爱了捏
这个案件跟刚追完的前男友的遗书里的案子不能说是相似，只能说是完全一样啊。毫无新意。
洗洗睡吧，为什么要把意外做成杀人案，虽然很反转但看完大呼上当
可以，
案件真的很一般，上半集节奏很平，但整个阵容还是令人讨喜的，最后前法官说的那句“真相能不能给人带来幸福谁都不知道，但谎言肯定不会”
多一星给这个系列。道枝根本扛不起来这个角色啊到底在想什么。
剧情很老套，好容易猜到。但是人物都很有趣，还有前任两位女主的友情客串，真的是友情客串露脸。松本润律师演的不错，这个角色很适合他。道枝骏佑，应该坐实太子了。
哈哈，真的有人演戏情绪表现只会皱巴个脸吗。好想念荣仓奈奈
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