The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
当印度小哥说他不认识大卫鲍伊，你就不应该再跟他处下去。剧情三星。
叙事结构真的有点平，除了戳爷和男二的颜不错，再来配乐不错，听听歌看看颜值也没啥了，与其说三个月是等待HIV结果，不如说是一段夏日短暂的艳遇吧，等待检测的过程也没有深入的冲突，甜也没有特别甜，霉霉风评再次被害，看完记住一个教训，男人靠不住，姐妹常永久。
life has to move on everyone has to move on
戳子加上马卡龙的色调真的好清新 剧情和bgm没有像他的名字一样戳到我
色彩清新，配乐好听
印度小哥挺可爱的，虽然他好渣，怎么连我的电话都不接
剧情比较平淡，但是意外地让人很想看下去。印度小哥好帅，两个人的暧昧是最激动人心的部分。开放的结局也很好，点明了主题
最后一点，想过度解读下：印度裔少年奔忙学业可以压制内心情愫，他未来会成为一名工程师；而美国“废柴少年”还在多愁善感，他未来会成为一名有朋友的人。他们都有美好的未来吧。
放那么多人声音乐
戳爷太奶了，小印度配不上你！独自美丽也很赞！
明明有104分钟长却感觉像是看了一部二十分钟的短片，好水的剧情…
可以是一个短片或者mv，要不是戳爷我真的会看睡过去。。。
那个夏天可以发生很多事，震荡一群ZZZQ组合的心
整体平平淡淡甚至有点无聊，铁T与mean gay，自觉被世界抛弃，不如抱团取暖，戳爷那张贱嘴，分分钟想进去把它撕烂。
3.5。一个友谊和爱意之中的亲密关系，不断寻找正确的认识，挣扎纠结再重新爱，生活不会很无情，驾驶向前的单车才值得迎面拂风。（配乐加分）
虽然这部电影充斥着fuck，但是却是一部正视HIV的片子，戳爷的脚很雕塑
还行吧，什么美国青春伤痛电影。有几条线但是都挺直白的，剧情也不是很出意料。看一看还是可以的，不算很无聊。
集结了小清新元素的电影，戳爷在欧美人里的颜里的确显小，整部的色彩还是挺明亮的，喜欢
我金发碧眼肤白貌美盛世美颜的戳爷就是让渣男消遣着玩的吗！最后连个交代都没有，我想把渣男送去45路公交车，就是有端着高压锅的阿姨上车的那一趟。🧐
男二就是个印度版的杰克吉伦哈尔…完全是我的菜，想看他演哈利波特…拉拉朋友也完全是我的菜，小麦色的厚嘴唇亚裔美女…所以剧情稀烂我也能看得十分开心
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