Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
男主爱不爱女主,有多爱我倒是没看出来
好久不见,王珞丹。角色设置、自白,招牌王硕痞味、自恋型文学;故事很大很空,在去捷克之后,自杀、车祸、代孕、三角恋,要素齐全,永生和静止属于人生开挂,但却是一点用都没有的噱头,不是王硕挖坑不补,就是大删大改过。
“父母是挡在我们和死神之间的一堵墙”…“如果我忘记了他们,忘记曾经的一切,那么我还是我吗”…
本杰明巴顿的外壳,阿甘正传的故事线索,综合观影效果佳,表达欲过多使得艺术价值减半
前面和后面仿佛是两个导演导的 画风转变得好快而且好着急 王珞丹演出了自己作为女明星的挣扎和无奈 值得七分 结尾我真的哭死 王传君的旁白把我吃得死死的
3.王朔这么多年过去还沉浸在那个京圈美梦里,上次听闻他正在创作涉及人类历史命运的宏大作品,现在却中间出现这样一个东西,很难不感失望。
有点尴尬 是属于逻辑乱来的奇幻片 甚至都不奇幻
剧本很深刻,艺术性很强。但镜头与叙事太过普通。
另外,布拉格的春节,能看见弯月亮?
明明很烂,却用死亡、爱情,让你觉得好像是很深奥,所以看不懂的假象。
女主对男主的感情挺深的
不好意思,时间讲的久了,这就是我的故事,我的旅途,我的亲人们,我的朋友们。
???三个问号代表我的观影体验…在讲啥???
干细胞广告+王珞丹颜值担当+老配角演技担当+大段独白+长生不老+跨越时空的爱情
电影最后,王朔把盘旋在我心底多年的那个桥段给用了——“当你垂垂老矣坐在摇椅上,某个清晨或者黄昏, 你发现一个翩翩少年走过你的窗前,那正是我,你多年前的朋友,那个拥有不老之身而始终孑然独行的男人”
PS:王传君后期的造型有种梦回《药神》的赶脚。
火车外,金灿灿的地,蓝蓝的湖和天空。看过了,真的会在心里记一辈子呀。王传君的演技我真的很喜欢。让人唏嘘不已感慨万千的剧情。
王朔的文本没错了,就是有点太冗长了,长得似我庸俗无味的一生,一生不死,一生作配角。
眼看着28岁了 ,我还单身,工作还没定 ,前路在何处,茫然失措。
看名字还以为是本杰明巴顿奇事那样的,原来是科幻。
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