The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
认真一点好不好？这样也并没有酷起来
放在希区柯克的年代还行，全都是文戏的谍战悬疑
完全没有突突突的枪战。不衬男主，女主唔够 hot，减一星
Bang bang, she shot me down
分手的那一半很真实，代入感很强，我和男主的三观很像；重逢的那一段比较假，现实往往是遗憾的结局，哪有这么多的破镜重圆
完全拼演员的感情戏能力，眼神语气。又是一个小制作电影，基本上就在一个餐厅靠对白走完全场。本来以为是部动作片，结果是部爱情片。另外要赞的是镜头的运用，对两人的眼神，表情的特写都很棒，即使是床戏，选的角度也很有冲击力
不说本身就隔应这女的，单剧情转折来讲选这么个内外不沾的女主，一点信服力没有。
去掉感情线，充实细节，保留第一次反转，就是不错的谍战片
Bang bang, I hit the ground
就很无聊！一想到127个惨死的乘客，我就觉得你俩都挺该死的……
很特别的特工谍战，反转又反转，不是我想的那种剧情刺激快节奏的电影，派结尾真惨
开始以为是政治片，看到后面才发现原来是个爱情片。【论沟通的重要性】
慢吞，繁瑣。大國夾縫中的人們不配擁有愛情。
只觉得景色和服装好好看，剧情到时没啥让人惊喜的。
插叙倒叙正叙，再怎么叙，也掩盖不了表达的浅显与苍白。传统题材想出彩确实太难了！
译名完全脱离主题，简介也是，是一部很有质感的短篇，没有惊喜，看着还算舒服。
是我看过太多信仰坚定的国产谍战片了吗？还是我错过什么细节了吗？
故事不精彩，桥段让人混混欲睡，导演去学习一下“谎言之躯”…牛顿演技挺好，但我就是不喜欢她
所有情节的刻意和bug都是为了烘托伟大的爱情
所以，为了心爱的人，飞机上一百多人就该死吗？
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