Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
“瞎子，这趟浑水你趟不了。”
成乙眼睛瞎了，心却没瞎，瞎与“侠”同音不同义，也是心中尺度的衡量。
剧情非常老套 打斗场面不够大 属于小打小闹 让人看的不过瘾。。。
3.5 相比于香港武侠里的江湖情义、意大利通心粉西部片中的赏金猎人形象，《目中无人》里的氛围感更多是日本剑戟片带来的。无论是舞台化的雪夜复仇，还是成瞎子拿刀的姿势，都有一种日式简约感。不仅瞎，还喜欢赌，这不是致敬座头市，是什么？不得不说，武侠的现实主义之魂回来了，不是了事拂衣去，而是路见不平拔刀相助。这是最早的侠客精神，如今返璞归真，结合一些社会性事件，不知算欣慰，还是多感慨。作为一部正片内容仅一个小时多一点的网络电影，《目中无人》还是只搭了个框架，网络电影“模仿”的核心没能被打破，有些可惜。
古人云：大丈夫行事，论是非，不论利害；论顺逆，不论成败；论万世，不论一生。
干净利索，剧情简单一下就猜到，但是分镜和节奏都不错，好看。但，琵琶女回去是干嘛的？送死吗？没贡献没必要，一大败笔。最后，没有看到有逼格的镜头语言，当然，还是很扎实的。
试问有多少个武侠剧剧情是屌爆的呢？看的还得是其他方面的，不过这部剧的渲染力还不够强或者说我太满足于我
放在网大维度考量算是精品了。它也是如今难得的能做出武侠风范的国产片。动作场面有氛围上的铺陈，场景、构图、打光都有雕琢感；具体到武打设计，走的是偏写实的硬派路子，尤其是错骨手，招式起落都见细节，断骨一幕好评。成瞎子为了一壶好酒和一个公道，便毅然踏上了锄强扶弱之路，不问生死，不求功名。侠义之心，因其质朴才显珍贵。在国产武侠式微的当下，这样的作品太值得鼓励了。
雖然是網大，但是製作水平真的不錯了，故事很短，主題就是義士復仇，看得出來受邵氏和劍戟片的影響很多，主角人物有座頭市的感覺，最後在大宅里的廝殺是《切腹》里復仇殺陣的化用，動作設計可以，短打長刀反握都很好看，很可以搞個系列片。結尾風雪中的那段畫面設計和打光很有想法，很漂亮。
画风我个人比较喜欢，兼之这两年实在没啥好的武侠片，打分高一点。
把这样一部电影称为今年的武侠之光，无疑是武侠片的悲哀。但更悲哀的是居然很难反驳？因为当下已经没有什么武侠片。论及完成度和邵氏功夫片相仿，但囿于成本，演员的演技实在出戏。作为网大固然很好，不过别人家的网大是《惊天营救》，还是不要盲目捧杀为好。
除了故事各方面都很完善的一部电影了，算是我对网络大电影雏形的想象了。镜头语言，运镜，部分色彩确实都和大荧幕很接近了，故事确实很短板。多一星鼓励
没想到再见到谢苗他已经是大叔了。故事简单，处理的也是干净利落，算是一部有诚意制作精良的网大。
总的来说，前半段铺垫很不错，后面除了火刀惊艳到之外，张力不够，BOSS战草草了事。
历史背景是安史之乱平定之后，郭将军应该是指郭子仪，有点像《绣春刀》系列，但这部电影更加快意恩仇、轻刀快马、短小精悍，网络大电影做成这样已经不错了。男主角看上去既是盲侠又是镖人，打来打去有点审美疲劳，类似的动作戏太泛滥了，如果能多加些写实、历史和文化的元素就更好了。
很难得，都多久没看过新的武侠片了，上次还是剑雨。导演好会拍，谢苗依然稳，期待下一部片上院线。
最后这个原力觉醒远程吸刀让乔治卢卡斯直呼内行
片子放网大里不赖，武侠式微的今天拍这样看出来挺用心的，建议把公关营销的钱拿来请个好编剧，没豆瓣那些通稿观众觉得真不错，看完通稿看片子反而觉得就这
非常好看，镜头很美，画面也极具写意的美感，不管是大雪杀人还是雨夜纷飞，都有一种侠客的仗义豪情在内，谢苗的武大动作干净利落，五颗星送给这句台词:我在这里生活了二十多年，才知道这里是个没有王法的地方！
画风我个人比较喜欢，兼之这两年实在没啥好的武侠片，打分高一点。
Copyright © 2015-2023 All Rights Reserved
