Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
轻松的无脑电影，打发时间的可以看看~文化背景不同，实在不理解执念于毕业舞会这个东西~瘦下来的女主总是让我想到Adele，只是她的嘴有点歪~
看过日剧和韩剧，这题材的电影真心看不下去！半小时是我的极限
真的很土很狗血 但是能够给我带来快乐和力量 我愿意给出很好的评价😀
三分大片。我真的很喜欢看网飞的零脑细胞消耗青春片。一样的元素只是架在了2022的背景里，yeah no one likes a 雌竞片now，很开心看到以前不受欢迎的不敢出柜的女同当校长，每个人都能做自己的without magic 霍格沃茨学校。就算这种气氛是fake也是乌托邦了。
渴望爱，忽略爱，以一个奇幻的方式来讲述无可厚非；但是故事与我无关，因为局限在自我表达的情感之中了。
睡了20年醒来后世界更保守了，HOW COME（doge
心情不好的时候就应该看这种不需要动脑子并且知道最后一定冰释前嫌合家欢的电影。
真是应了中年少女这个词 表演17岁的心态和动作有些做作 总体上可以接受
选角鬼才，这几个妖艳鬼物到底哪里来的😂值得一提绝对的政治正确，娘娘腔，同性恋，移民，黑人，肥婆……
stupid american drama………一个笑点：这就是Kevin说的拍的烂片吗哈哈哈哈哈哈
所以真的没人调查下那个“失误”吗。。。校园喜剧 小鸡电影 现在都拍不好了。。。
很欢快的音乐电影（bushi），威尔森比起偷心女盗里面真的瘦很多了，台词真的很drama，校园欢快题材真的永不过时，亚兹那个god真的会笑cry，抛开小细节算得上一部很成功的爆米花了（6.9/10）
量产这种过时20年的作品就是为什么网飞最近退订潮的原因之一吧，毫无诚意、毫无创新，只想靠量产过时成功的道路抄袭过来，恶心的不行
把人摔成这样不用负法律责任也太离谱了吧，前面情节好无聊，后面还算有趣点
居然不算烂 还挺中规中矩的 很有活力的一部片
美式低俗理想化，纯属为了追忆那些年看的美式校园青春题材电影情怀，是我想多了
几十年如一日的你最闪亮校园喜剧电影，连海报水平也停留在二十年前，可以说毫无叙事水准也经不起逻辑推敲，但不得不说看到最后有那么一点点想哭 somehow i really miss the silly cute teenage life, i'm like this old already (joshua colley长得好像我date过的一个男生，一下子午夜梦回了🚬
植物人昏迷20年以后苏醒回到学校继续上学这个题材感觉蛮新颖的，但是剧情依旧脱离不了的老套，青春片常见剧情，爱情，亲情，友情之间的串联，成长，道歉，守护，万变不离其宗。挺乐呵的，美好的大结局。喜欢里面那个gay男生，和卷发女，他俩都好美！
天～2000回憶大禮包✨✨🎵找Alicia 來真的太會（我愛他）🥹🥹🥹這種才能稱大彩蛋好嗎～天知道我到底多愛clueless 😍😍😍😍至於好不好看、合不合理都不重要啦！看YA 長大的，沒有人會苛求這一切的💕
{5分钟}刻意做那些让人觉得你很酷的事，来得到一些假风光，根本没什么意义，好好充实自己，比较实在
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