Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
迪士尼联合全世界的退休动画角色实现了再就业，密集的彩蛋让老旧的好莱坞剧本焕发了盎然生机。
剧情真的是太老套了天呐！但是里面的梗也太太太太太太多了，动画角色也太太太太太太多了！要罗列的话真是说不完了。大反派是变老长胖的彼得潘，被盗版异化之后，腿是胡迪+变形金刚，手是无敌破坏王+马里奥里的炮弹。又想起了那个笑话：如果有一天你被困在荒岛上了，你只需要在沙滩上画一个米老鼠，迪士尼就会找到你告你侵权。哈哈哈哈哈哈哈哈哈迪士尼的版权意识呀。和段的远程观影。
梗真的好多好多啊！应接不暇！想起了小时候看的兔八哥的空中大灌篮 太有想法了
连官方都吐槽剧情老套了，我还一直期待他们什么时候丢箱子
不太好看，迪士尼动画我目前觉得最无聊的一部
迪士尼动画版头号玩家，虽然剧情很低幼，但数彩蛋还是充满乐趣的，秒回童年看小神龙俱乐部的时光～
玩梗大集合，抛开梗就非常平庸了，剧本上是不走心的，接不住梗没啥乐趣，大概是拍给漂亮国三四十岁还没长大的老小孩们看的。
迪士尼卡通角色的回收再利用，是环保也是技穷。卡通角色们就像是包身工，手握ip的迪士尼可以永远正版地剥削他们……
给出了衍生电影应有的完成度和诚意，没有走gay片那种矫情的路数，经典剧情，经典反派，官方恶搞最为致命，迪士尼这次无节操了一把，5星献上
迪士尼再次向大家展示有钱真的可以为所欲为。但是梗玩的太多，以至于故事讲的不够抓人。那个sweet pete真的有吓到我！！！跟着小飞侠一直是我童年的梦！！！
传统的过气明星故事确实没什么亮点，但是梗和彩蛋简直玩疯了，连冷冻食品的包装都不落下……以及这个真人+3D+2D还混合了不同风格的画风真有意思！
#和女儿一起看# 剧情烂但彩蛋多到你眼花缭乱，漫展摊位出现希曼和骷髅王的时候连队友都放下了手机。想知道反盗版王者米奇是如何搞定这么多IP的版权的！
。。。本以为是个俗套的炒冷饭，没想到这么多小惊喜，堆叠出来就是一个大惊喜
小时候只玩过松鼠大作战，没想到还有动画片，诸多动画角色但是看上去毫无感觉，看来这只是你们的童年，不是我的童年。
就像那个米老鼠形象的烟花
小飞侠真的有点打击到。。。尤其片尾 奇形怪状版甜点·彼得穿着束缚服 还有dale提到过的黑暗版幕后main street。。。蛮阴暗的但是主要剧情框架又很保守有点。。低龄。。玩具总动员和海底总动员的剧情想象力就很老少咸宜
这是第几部了？从《头号玩家》开始，迪士尼在疯狂炫耀自己的版权，但是这种炒冷饭能够坚持多久呢？当我们这代人老去，谁还在乎这些过气的角色呢？
迪士尼IP大集合。
SNL旧卡司集体再就业 烂梗味太强了 建议浓缩剪辑成5分钟短片做个系列短片更适合 也更snl内味
80年代，各类元素的怀旧致敬片... 满屏的玩梗。3.5星推荐
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