Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
这部电影还不错，画风色彩都挺棒的，剧情也还行，推荐观看
面具人问要不要买鞋还怪可爱的！
画面和动作都好看得不行，但不管爱情多美，男人都请别再这么感动自己了好吗
2D/3D 结合的很古早, 值得刷一次.
跑酷那里做得非常爽，和音乐适配得很好，就是剧情太拉了
作者的趣味在运镜，美术和形状上有所体现
这么多大佬只挂了个名是吧，新海诚式电影最重要的不是精致的画面，是细腻的感情。完美诠释什么叫空有其表，剧情烂透了
剧如其名，跟泡泡一样，看上挺好看的，其实基本是水，里面更是啥都没有
画面音乐不错，男主人设好丑还一直放大头特写，为什么啊😱如果你想说女主因为男主的脸爱上了 那真的没啥可信度哎
罪恶王冠精神续作……关键是跑酷片段也不咋滴啊，经费充足却缺乏创意和灵魂，水准还不如一些非专门类作品里的跑酷片段。
220503/06.★★★★★.就问荒木哲郎和虚渊玄你俩是吃错💊还是忘吃💊了？作画摄影跟你们有仇吗
密恐泡泡与掉san烂肉相比，我还是觉得咱泡泡牛皮1
我还特地多花钱买来看。别以为拉在金马桶里的大便就会香😂 2星给画面
就荒木哲郎和泽野弘之发挥得再好也只能给垃圾剧本擦屁股而已，把巨人和君名的“感觉”糅到一起做足噱头，再为了虐而虐就成了又一部青春残酷物语，真的很让人无语。想起一句话，君名之后的每一部日本商业爱情动画长片都可以当作君名的同人作，属于是很形象了
不得不说，WIT的“立体机动装置”非常的“丝滑，作画也确实很美，随便一截图都可以当做壁纸，但这空洞感觉没有太大意义的世界观和剧情人设，实在是撑不住啊
泡泡就是最棒！是心中最后一片净土！是对宇宙永恒的探索！所有差评都不配到达这片净土。好感动啊，即使独立男女主的感情有些让人害羞脸红也一样是最美好的最永恒至净的！看海的女儿的童话时也没看到这么多差评，消极吐槽能引来更多共鸣吧。
看到好些网友对《泡泡》故事剧情表示不满，不过个人感觉其动画制作技术倒是挺不错的。
日本又双叒叕沉没了！东京再次被隔绝，在《翼神传说》里是木星，《辛普森一家》里是玻璃罩，这儿是巨大的泡泡。剧本就是《未来水世界》下跑酷青年相遇泡泡公主的故事，老虚都不演了，直接引用《小美人鱼》剧本，但相遇基本靠一见钟情，相处基本靠空镜头和日常闪回，还是学一下《悬崖上的金鱼姬》吧。相比过于简单的情节，其实就奇观构建与跑酷动作设计上，WIT还是炫了一把，在大屏幕看应该很过瘾，或者改成游戏。小畑健的思路看来还没从《铂金终局》出来，女主歌和娜赛好像。细想一下老虚还是有点东西的：这其实是个第三类接触SF，某种外星智慧生命以泡沫构建自己的存在，降临地球后其中一员化为人形和人类接触、学习地球的知识，最终懂得爱、确认自我存在后离开。贯穿全篇的那八个音符组成的基本旋律，是在致敬《第三类接触》吗？
没想到啊，这部电影动作流畅，画面精良，音乐渲染到位等等等等，可以说是万事俱备了，结果本来应该是东风的剧本变成了龙卷风，把我的期待和好感全部刮走了。
太可怕了，史上最难看《海的女儿》新编，我觉得女主变成泡泡的场景还挺可怕的，像无限增值的癌细胞一样…………
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