With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
3.5星，没有第一部密室场景的紧张，但这部的剧本还不错，老兵也算是将功赎罪
本来这么一个励志的传奇故事，拍得这么蜻蜓点水，明明是against all odds的传奇，结果给硬生生拍成了个天上掉馅饼的琐碎故事
不当作续集看还可以，你把这一部理解成一个小成本的《暮年超胆侠》会获得额外的快乐。
已经完全没了第一部那种新颖的感觉，主旨偏离主题，就是无脑R级片了
真的死了吗？有点洗白，但是和自私的人性相比，付出的爱就是最好的救赎。
这一部基本上和你呼不呼吸也没什么关系了所以也不用屏住呼吸了
挺好看的 有几幕有点出戏但是不影响整体 第一部橄榄球电影
没意思了，第一部里的密闭空间压迫感全无，纯粹就是老头开挂杀毒贩
第一部之前看过印象深刻，看一下标记5年前了，没被这死电影吓到，被时光飞逝吓哭了……
更喜欢第一支职业球队的教练说：命运，只属于弱者--强者是主导命运的。
所以时间顺序到底是在前还是在后？老头怎么会死？！迷迷糊糊
这个拍法，我看第三部还不如和寂静之声3联个动，看看老爷子打怪兽这才带劲呢
感觉是给盲人老大爷洗白的第二部。结尾倒是留下悬念，不知道会不会有第三部。
最后老爷子还是没有好的结果，应该是对第一部中囚禁女孩子导致其间接死亡的处理吧。不是坏人，但也有罪错在生。
失明老兵在自己家行动自如也就算了，在别人的房子里也丝毫不受大影响，夸张了。
其实算是动作片，不知道为什么片方把这个定位成惊悚。反正盲人老兵杀到超神，期间紧张桥段也铺垫不少，算是合格的娱乐片。
老头收养了个养女，结果这倒霉孩子的亲生父母找到她，要来摘她的心脏，于是养父与亲父硬刚几回合，最后好人胜利，老头也挂掉了
我天真地以为这是一场打败邪恶、一家团聚的好结局，原来翠花的父母是一对大毒枭，找回女儿只是因为翠花她妈得了心脏病，得换心.......
刚开始感情戏有点看不进去，但是苦尽甘来的时候还是泪目了！本人故事更精彩
新时代母慈女孝代表作，导演与编剧还能不能把不正常的想法都塞进作品里，要不是知道老头是个繁殖癌变态，跟连姆尼森杀敌救女基本没啥区别，两部作品分裂感这么严重，我是没有料到的。
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