Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
一场电影死一对，绝了
前半段连沈腾都救不回来，结局是上帝都救不回来
有些抖机灵还蛮好笑
像韩寒年轻时出歌拍的一个MV《私奔》，现在还讲这种故事，还这样讲故事，真不行
前半部该30亿，后半部5亿水平吧。放在春节档，看了就感觉，给自己添堵
山雀让我惊喜 雷光夏让我惊喜 这配乐简直卡在我心里
with妈妈；韩寒没变，还是冷笑话谐音梗集锦，世界天翻地覆观众口味变了吧
韩导彻底摆烂，也罢
垃圾电影🤮片尾曲居然是雷光夏的《逝》，你對得起嗎
怎么说呢…华纳高层评价Amber的那句话可以完美用在刘浩存身上：That's what makes a movie star a movie star...
韩寒130分钟的顾影自怜。剪辑什么玩意儿。
3、年轻时候我闯荡四海，如今老了，我四海为家。永远少年，永远一往无前！
十分韩寒，看在工整的份上80分有了 麦琪的礼物这条线隐藏的有点明显 人物动机与设定虽然毫无逻辑，但却十分新概念
因为wzyz，所以遇到了很多困难，撞船撞车死了，电影里要叫它作向往自由求而不得。刘浩存有很多台词我很喜欢，在我理解是角色本身的不安感一直延伸出来的。在海边说，她还有个梦，但是不能陷在此时此刻，因为不想占据太多大脑的空间。在开不了的门前，她仔细描述了想象中的家，但相信不会有一个地方会如她的想象。在吵杂的马路边，她说之前那些话，只是想显得没那么简单，想让自己生活留有悬念。在我理解四海就是描述这种不安中追寻的心理状态，因为不安，不愿停留，又因为幻想，一直追寻。 （抱歉真的太drama了，才出省城打几个月工，搞这些大龙凤... ）
还行啊，是不是要多一点情怀去看待，何必较真。
最后，确实不适合在春节档，结局太无语了
涣散的故事线，糟糕的节奏，不接地气的台词。从头到尾就一个词可以概括，拧巴。拧巴的人设，拧巴的故事，拧巴的表达，拧巴的一切，看完我整个人都尴尬的拧成一团麻花了。
韩寒你不能拿两个书都没读完的傻逼主角来糊弄我们，把我们当傻逼啊
风住的地方，就是我们住的地方。韩寒想表达的东西，不直接但简单，他在每个人物身上都认真地浇铸时代，再让原本沉重的他们随着海浪漂进我们的内心。
打不开酒店门。-离谱他妈妈给他开门吧。 阿耀睡觉枕边放的《麦琪的礼物》。高明的电影导演都喜欢在片子里玩梗、埋伏笔。—这些东西在四海里，莫名有丝尴尬😳？
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