Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
西班牙小甜妹融化霸道别扭富二代的故事，怎么就这么好看呢（｡ò ∀ ó｡）
女主到底图这男人什么？美色身体不都享受过了嘛，吃完咱就丢不行吗？什么垃圾理由都能原谅，真是看得我气不打一处来。
我靠，真够直白刺激的，不愧是西班牙，中间要暂停好几次。男主的颜确实很欲，我是女主我也会垂涎，其实我已经垂涎了哈哈斯哈斯哈～怎么说，这部电影氛围和颜值都搞得不错，所以剧情im not really care
拉胯的剧情，但男女主的颜值很能打。怎么看的西剧都是这个样子呢？
虽然这是剪辑的，但是看的就是好好哭，我的青春啊
那么舒服的色调拍这种色情勒。
平民女和富家男的爱情故事总是能看一看的，男主的板寸真的很帅，但是故事性很差也是真的，我看完都没搞明白男主到死怎么爱上女主的。
Tay & Franky 颜值撑着我看完了一个多小时
男女主再般配也抵不过西班牙校园剧的荒唐剧本。
ノスタルジーは軽い病気 想念TV的节奏TV的音乐😶
剧情老套无趣 ✨
就为了看一看后续的剧情，结果也就不到10分钟的样子，过于草率了吧 运气的对决，小户川活着就好
镜头突然给到翻找避孕套、拆开、戴上的全过程好出戏，一瞬间以为我在看性教育宣传片......隔段时间就想看看欧美teenager们的青春校园片，看电影就图个乐，看俊男美女肉体狂欢，画面又这么精美，享受到赏心悦目就是我赚啦，管它有没有什么内涵不内涵的呢！事实证明我这辈子接受不了圆寸，哪怕是在男主这种雕塑帅哥头上，以及粉发小哥好cute，黑发就普通了。
看得我好痛苦😖今天的新宿TOHO还热得要命。如果是看完动漫过了很久可能还好，我前天才看完动画今天看这个，如坐针毡。一个半小时前一个小时20分钟都在复述剧情，而且是通过每个人说话的方式来把13集的动画再过一遍。抱着看假黑猫跟小户川的最终对决的心情去看，就来句“这是运的对决！”结束了？？虽然很明显是小户川赢了，结尾图片闪现里也有假黑猫被逮捕的新闻，但是这太水了吧！！票价居然跟imax的奇异博士一个价！！离了个大谱😅
想不通一集ova就能讲明白的内容非要做成两个多小时的总集篇，这个剧场版瞬间拉低了原作一个档次，属于是没事找事，说得好听是剧场版，新内容其实只有最后的20分钟，最终凶手终于被逮捕，小女孩终究打不过壮汉，小户川房间里是一只黑猫，确实也不存在什么诱拐绑架，伏笔基本都填了，最后的大团圆结局虽然不错，但这个作品80%以上都是tv版的老画面，所以要看的话可以只看最后25分钟。官方电影实体福袋里好像暗示最后是柿花救了小户川，幸运对幸运，最后男主更胜一筹，也算再次点题了，广播剧里的老板娘也没有死，最后ED显示老板娘只是受伤住院了，剧场版的ED确实明示了很多东西，需要稍微注意一下
感觉所有的副cp都比男女主好嗑，但是这种玛丽苏也真是拒绝不了…我更喜欢男闺蜜的颜啊…
你们歪果仁就看这～个啊？（韩娟脸）
挺好看的 我晕 女主颜值太高了 尊滴太漂亮 这老妈看着生气 可不懂事 挺奇怪的 周围人 就这么硬劝啊 后面女主跟她妈和好的也挺奇怪的 反正是挺无脑一剧情 看着挺开心的 再多点俩女主谈恋爱情节就更好了
古早玛丽苏杰克苏和西班牙的环境结合，真野！！这故事居然还小说改编，这样一看晋江小言翻译成英文的话会不会在欧洲还挺有市场的……
就是剧版的浓缩，剧情通过访谈各角色推进，走马观花，和看剧版的感觉完全不一样，唯一可看的是补了个HE结局。
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