Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
「四个女孩在深夜的公路上高唱着《I'm a Lady》的一幕，令人心驰神往」。Netflix周作业，比上周《Crush》观感好了许多。想来许是夏夜小镇的海风总是能吹开许多闭塞的心，无论是奥登、伊莱还是我。关于青春故事总是免不了「洒狗血」，这一波狗血有点妥妥洒到我心上。救赎与被救赎，和解与自我和解，没有什么比这些再惬意了。（BGM美到爆炸）
作为FGO的剧场版而言制作属实拉跨，作画声演没一个亮点，3D版的魔神柱让我想起了恩佐斯的触手。说起来这本来就是游戏改动画，所以最主要的剧情就是打怪通关没毛病，但这么贫瘠的内容实在太烂了。
和父母沟通，父母之间多沟通，把你想要他做的说出来，把你的需求说出来/结尾不知道想要表达一些什么/没有什么事放不下
英灵宝具拍的不够炸啊，他们能不能说话？？而且就这几个人也太少了吧…
哈？都这场面了为什么不全用5星。。。然后全自来水？
大段菌式文戏的穿插严重影响了节奏。作画实在算不上精良，大量静景都是肉眼可见的简笔画。而战斗除了英灵集火盖提亚那半分钟还能看，其他实在是简陋至极，毫无亮点。
欧美青春电影什么时候可以在重返巅峰(///▽///)
温暖而悠哉的步调，让我忆起了青春年少的时光，很喜欢。
对于没玩过原作的人来说应该还是可以的，但是对于玩过原作的人来说属实有点微妙。期待了很久的医生第一宝具演出有点拉胯，其他来说还是不错的，如果时长能再长点就好了。
总所周知 fate喜欢很多假大空的话然后没剧情
”盖提亚，你憎恨生命的无意义。的确，所有的事物都无法永恒，最后迎来的只有痛苦。但那绝对不是绝望。有人凭借有限的生命，直面死亡与断绝。有人明知终结不可避免，还是不断重复着相识与离别。那是无限光辉，犹如繁星闪耀的刹那旅途。这便是，爱与希望的故事。“
哎……滤镜打的三星，坂本太太就真的劳模呗，少年，少女，御姐的活都干了，前段还马马虎虎，那么多英灵来帮忙居然没声音就离谱。抽第一个英灵跑出来幼帝的时候多少人觉得坠机了，虽然幼帝可爱，三星真的不可以……
故事讲得没有游戏清楚，但是中间所有英灵出来我还是哭的汪汪叫了
fgo业绩下滑这么严重，连声优都请不起了吗？默剧打戏我是真没想到。文戏演出差得能和ufo一拼，连动作戏也很烂——藤丸拖着盾秒速0.5毫米向前挪动的样子像极了过年吃多了的我，盖提亚小拳拳砸所罗门胸口的时候真的很难忍住不笑出声，最后盖提亚和藤丸激情互殴被打死时我已经笑得需要叫救护车了。fate、变形金刚、神奇动物的失败有一个共同点：观众是来看宝可梦打架的，训练师关键时刻讲两句点题就可以了，平时不要长篇大论出来抢戏，望周知。
三星半。
還不錯 @2022-05-12 00:38:31 @2022-06-03 23:34:05
都玩元气弹搞英灵大集结了，场面贫瘠战斗作画不如第七章不说，出现时连个众人在一起的画面都不肯给，第二波英灵打盖提亚时，全员默片演出，声优战斗声音都没有个个和木偶似的，咕哒夫和盖提亚肉搏突出一个省事。
和女主有共鸣点，入不了人群，一个孤立者的身份，不敢尝试，保持原状，拼命努力这些方面。当你踏上改变自己的旅程，你会被深深吸引。里面的出现的沙滩、小镇确实让人感受到火热的夏季以及躁动的心灵。只不过吵架那个地方让我有点接受不了，可能因为我是上帝视角。
关于家庭 爱情 友情的青春电影 That‘s amazing
叙事很悠长 剧情前期看有些不知所云 总得来说就像每个人突破了自己的lcl之壁 女主得到了友谊 男主走出了阴影 女主妈妈学会了放一把手 女主继母得到了闲暇 女主爸爸学到了责任 除此以外有些镜头和色调拍的挺好看的
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