Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
故事简单浅显，制作精良（水地图和动作戏我个人觉得还是挺好看的，但审美和传统中国审美好像有偏差，男主妈妈家乡的颜色过于鲜艳，还不如国产电视剧，大战前人们穿上的作战服在我看来像是上台唱戏的表演服）。中国元素（唐人街、女主家庭等）可能能让美籍华人产生一些共鸣，不太能让广大中国本土观众感到亲切。
这剧情和男女主的演技属实不太行....杨紫琼能不能多一点打戏，想看😭
已知梁朝伟被刚逃出的恶龙秒杀，恶龙之后差一点被神龙秒杀，吃了灵魂后才反败为胜。那么请问以守护大门为使命的神龙为啥不在梁朝伟破门的时候出来秒杀梁朝伟呢？
可以算一般可看的爆米花电影，差没那么差，好也没有那么好。D+IMAX全画幅版本看着很舒服，不过很不喜欢的还是这种中文和英文融合在一起，听着看着体验都不是很好，画面与布景以及配乐还是不错的，前半段公交车那段个人认为是本片最好的一个部分，相当沉浸感觉很棒，到了后半段也就是进村环节开始崩，各种离谱各种尬让人一言难尽，里面的塔罗村应该算是漫威宇宙里中国部的瓦坎达了，无头神兽相当可爱我很喜欢！梁朝伟不愧是用眼睛讲话，个人演技一边撑着一边拉回了基本崩盘的故事，以及陈法拉和杨紫琼依然还是那么美，养眼部分，最后本金斯利贡献了本片娱乐冷笑话的部分，给本身就不怎么娱乐的娱乐电影有了点欢乐，结尾的两个彩蛋也还行
对话有些尬，情节有些太刻意，剧本搞得不扎实，就剩点儿特效还行，漫威这么下去药丸。
“啊～～十环，你比五环多五环”，脑袋里一直循环着它。比《黑寡妇》和《毒液2》好一些，也是，还能有比那俩更差的吗？漫威今年还没端出一盘像样的菜！全片最佳Hotel California。
这是什么网大质感的，凝结了西人对东方所有刻板想象的硬疙瘩块浓汤宝……😨😂
11.10 动作戏很棒，梁朝伟很帅，东方文化底子很扎实，主旋律英雄叙事很完整，没在影院看实在太可惜了！
整个电影看下来，就觉得妈妈穿的那个汉堡比基尼不错。
把中华的大家之爱和小家之爱拍得还是太浅薄了些，口号主义。
老实说，谁在乎你喜不喜欢这部电影，自己喜欢不就得了。
整个电影弥漫着东南亚风情，造型又土又丑，疯狂地想堆砌功夫元素……兄妹俩像四十岁不像二十多的……
除了剧情略简单俗套之外 简直不要太好看！完全是漫威为华人定制的英雄大片啊！这么多人打低分是认真的吗？还说rh？？seriously？
老实说比迪士尼版真人《花木兰》有趣，至少这部还是有挺多印象深的桥段，加州城市霓虹、特有的大坡道上在失控巴士里半跑酷式格斗（还有乘客接地气搞直播）；澳门五彩斑斓、在高楼外墙钢管木板间跳跃腾挪躲避追兵（这里想到的不是《少林搭棚大师》而是《赌神》里刘德华墙壁之间的飞跃）；移动迷宫似的竹林，想要吞噬入侵者；变化多端的水与其他魔法；超越时间可以预知未来的帝江被不明所以的女主概括为“鸡猪”哈哈哈哈；深潭里显形的龙（压迫感十足，算BDO吗）；进入异次元后琳琅满目的山海经怪兽，九尾狐、麒麟、狻猊(?)；神龙斗士大战克苏鲁蝙蝠。现在已经适应迪士尼这套通用模板，看的时候就当角色是一种独特的奇幻族，只不过碰巧以中文沟通（用来区别于象征日常的英文），违和感就不算太多了。
电影本身只有3.5但是亚男本人身在北美看这样的电影实在太爽了，被高潮冲昏了头脑必须整个5星给我把分数怼上去。电影开播前预告了一批别的电影，那些电影无一例外全都是白人主导，心里想的是白人真烦亚洲人真惨。以至于电影开始后我一路高潮到结束... being fucking represented feels so good!
剧情动作特效表演都到位，水准是在《惊奇队长》、《蚁人》、《黑豹》之上的，略逊于《奇异博士》
感觉还行吧，围绕着汉堡店来拍的视频，还有汉堡店门前出现了一个大坑，关乎生意什么的，揭秘。
十环是个掌控世界几千年的帮派，两边打得跟村民斗殴一样
看他们讲中文出戏，讲英文也出戏，我大概是陷入了一个怪圈，嫌弃生硬的中文和格格不入的英文。美国对东方的认知，还停留在功夫熊猫那一套。我之前看到传言说不能在内地上映的原因是梁朝伟演了傅满洲我真是信了他个鬼，那么问题来了，究竟是什么原因呢。最后一个彩蛋还是让我眼前一亮的。
我不是爱国啊，但是我对里面糊弄人的普通话真的很生气。
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