Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.
Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan...
"Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don.
The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
最后竟然爱上了，惊呆，那个鬼畜版love will tear us apart笑死
都延档了… 干嘛不趁机把剧本换了补拍点好看的😂
太烂了，看不下去，乱七八糟的故事，毫无逻辑的转折。除了反派，其他人都游离在主线外。
对这种类型的电影真的毫无抗拒，好看就完事啦！特效和节奏都没话说！
埃迪：你说得倒容易。
天生杀人狂里的伍迪.哈里森比这里面的人包括他自己演的那个蠢反派都正常可爱多了。
电视剧水平的制作，很敷衍很口水，所以为什么让演员搞剧本……好消息是加入复联，彩蛋毒液直接舔屏小蜘蛛
IMDB：6.0分
变种儿子从精子大小瞬间成长得比爸爸还牛，也是没谁了
感觉这个故事里没有主角之外的其他人类也没问题,两个毒液为了生存直接上来干架不也挺好,女反派的能力很有趣,很可惜
上一部还是有些命题和挖掘的东西 这一部就是纯正的续集大电影 简单的故事 没什么推进的情节 当一乐吧（也不怎么乐其实）
我不觉得这只是毒液的问题，只是安迪瑟金斯的问题，它也是迪士尼的问题甚至是好莱坞的问题。漫威拍到现在，老马那句主题公园已经反映了对它的制作方式的不满。迪士尼其实懂得创新，它的复仇者联盟、银河护卫队其实都是开创了一种新的超英片形式。但它的商人本色让创新成为了赚钱的工具，保守性也使得一切的创新浅尝辄止，复联的高娱乐性成功了，剩下的几乎所有都fun味十足。银护成功了，银护2完美复制了前者，好似鬼打墙。毒液同样，迪士尼在venom和Eddie之间的“化学反应”中吃到了甜头，就在第二部狂塞工业糖精，生怕观众眼睛瞎反应迟钝发现不了。观影和吃饭一样，没有谁受得了这种狂轰乱炸，再感兴趣的东西也会变得腻味。而且这部为了凸显他俩几乎牺牲了其他的所有，女主反派都没有什么存在的意义，它变成了最糟糕的主题含混、没有故事性的段子电影。
主角内讧，强行鸡汤，反派愚蠢，决战降智，警察不行，打斗无聊，画面一般，全在预告，浪费生命，建议不看。
简单，紧凑，“毒液”本体拼一滴血变异体也是使出了吃奶的劲却反被揍成扑街，最终还得靠“尖叫”神助才能攻巧胜之，这一届的“毒液”战斗力相当的不行哎。决战的设定神似《蜘蛛侠》，而彩蛋中也确实专门“穿越”致敬了一下，莫非索尼、漫威、迪士尼要合体搞大事情......多元宇宙大战！？
对这种类型的电影真的毫无抗拒，好看就完事啦！特效和节奏都没话说！
感觉导演在百忙之中抽时间拍出毒液2来敷衍我们，让我们看看漫威电影。剧情什么的几乎没有，大战也挺拉跨。预期拍得那么烂，倒还不如不拍。亮点也就是最后的彩蛋了。
完全是因为钱凑出来的电影，MCU随便一个彩蛋都比这好看，无比怀念老版蜘蛛侠里的毒液，对小贱贱式的嘴炮英雄也审美疲劳了。
该片的最大意义或许是用评分告诉业界，工业流水线爆米花，这个时代的观众已经不买账了。
脑子里只有看过的无数漫威同人小h漫。//电影是真差劲。
真的挺难看，第一部是2团黑泥巴在打架，第二部是一团黑泥巴和红泥巴打架。……故事本身就很烂，节奏更烂，前面30分就可以让人睡着，无聊的嘴炮尬的根本笑不出来。……彩蛋只有一个，貌似和蜘蛛侠3联动，然而并没有。……烂片实锤，如果下一部没有和传闻中的超凡蜘蛛侠组合的话，就没有存在的必要了。
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