"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
北京电影节天坛奖是吗 下次记住要避雷了
北影节看完一直没标。挺特别的战争片，前20分钟好像老塔及60年代的东欧电影啊
开头绕着树的那个长镜头很精彩，结尾让我想起了《鬼子来了》，有意味但少了劲儿，部分场面令我想起我前年创作的短片（黝黑的衣服、手挖坟、吃果子、大雨等），当然这部做得比我的那部短片好太多了。
挺好看的啊，哈哈哈哈哈，好玩，就是结尾非要拉回来到正路没什么意思
人物：主角范大明白，刀爷，对手赵大明白，债主。
休闲看看还行。编剧崔志佳自己，电影梗是小品梗的拼凑，连续性不强，故事比较散。
你说咱这气氛是不是像电影？就应该铺首《当年情》。
没有太玩尬
崔志佳有点东西，但不多，应该再多磨练磨练。
故事的内核挺好（刑满释放人员再就业➕心理救赎），但是细节经不起推敲，剪辑也不流畅，许多剧情可有可无
老戏骨演员的演技很好
还行吧，网大一味追求2.65:1就有点牵强。
佳佳这自导自演的作品还可以，至少没有像之前东北喜剧电影那么闹腾
里面明星不少，应该是佳佳给他家时候能演戏的亲戚和圈内朋友都叫过来了，角色设置不是特别丰满，尤其保安宋晓峰，像是个工具人，但里面好多小梗还是不错的，尤其吃包子那太逗了。崔志佳自己当导演应该是首部影片拍成这样真的不错了，意义也挺深刻，就是关注服刑劳改人员的再就业。
崔志佳这个团队真的不太行，办葬礼的想法💡还可以
就这点钱啊，那只能唱一宿，打四星！
纯粹的喜剧演员的确不适合出演悲剧，无论情到何处。不知何时立意忽然直奔鼓舞人们接纳改过自新的犯人的方向，姥爷“曲线救国”的方式意图挽回自己年轻时过错、征求主角原谅的方法直到最后都没让观众想明白，毕竟主角的女儿在治病，而人物关系本是悬念，揭露的那一刻原本应该有的震撼却因关系混乱而让人东西难分。
很好的题材，像一个带着经历的故事，也像一个爱电影人的梦
崔志佳拍的电影当成一个长的小品看一点毛病没有 多一星给伏笔
人生嘛，就是你来我走。
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