You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
惊喜啊！团队惯有的小套路小冲击大幽默各种反转巧合无厘头，两个小时里发挥的淋漓尽致，搞笑-情感-冲击都衔接非常密切，随着剧情波动无尿点。看到每一个演员出来就已经开始笑和感动了，继续加油做下去吧~
我是真喜欢这个团队一如既往的创作思路，不过这一部略显一般。
而且很多剧情莫名其妙，比如一大堆出租车堵住了就难么跑了？跑了……
剧情紧凑，有少许硬伤，但是影片娱乐性还是不错的，总体不那么搞笑却让人意犹未尽，适合休息的时候看
是小小的做完整的project 的！
这次编剧有点飞，剧本逻辑不合理的地方有点多。而且邵庄跟杨羽的演技也是一直没啥提升，怎么演都像在重复自己，再用演网剧那套模式来演电影，已经有点不够看了。片子整体观感还不如《非常保镖》。
要继续拍这样的戏下去！
这部的确有点粗制滥造了，拍电影和拍电视剧的确不是一回事，各位主创从编剧到演技都略显幼稚，甚至不如当年青涩时期的表现。不过从一个网大的角度来看，也还算可以吧。三星半！
“抢劫一晚上就是不报警系列”
比很多所谓的院线大片好看，逻辑、节奏、包袱都可以，剧情很有意思
三星半，猜得到的结尾，重聚还是有很多情怀和意义的。
本来要给5星好评，想想少了黎伟和甜甜，还是给4星吧，怕你们骄傲
还可以，虽说剧情稍显平淡，但是看着挺欢乐温馨的。
1、毛骗三部曲的演员几乎都出境了，李洪绸一贯的伏笔跟反转风格，但是剧情上巧合过多，有些情节牵强了一些，关键是这次的反派设定太弱了；
编剧: 李洪绸 / 刘爱银 / 车志刚 / 周扬帆 / 邢冬冬 / 王秀月 / 王飞虎
“如果中国有合理的分级制度他们一定能有更好的作品”，就像很多人远远没到拼天赋的地步，很多创作人也远远没到谈创作被禁锢的地步。这个让真正优秀创作人倍感无奈的现状，如今成为了很多三教九流的遮羞布。所以真正有资格说这句话的创作者真的很少，而这个团队无疑是其中之一。
还不错，优映什么时候拍院线电影，至少剧情比现在上映的那些强吧
可能是毛骗给人期望太高，所以大家对这个团队的作品比较严苛～如果这不是他们团队的作品，妥妥四星半～不过确实挺套路的
哈哈哈哈哈哈哈，有毛骗味道了！我就一个小疑惑，毛骗团队都幸福肥了，怎么就邵庄一个人身材保持这么好呀，偶像的包袱么？🤣
邢冬冬出本有点慢，一个女的都不带，还把家里人都安排上了……小宝没什么张进嘛，包哥才是灵魂，团队之魂
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