The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
居然是乔治克鲁尼导演的,他为什么不继续做演员?
有点意犹未尽,可能是希望电影都有个理想的好结局吧
大本的舅舅好评!
以毒攻毒,以恶制恶,以暴除暴。不过,还是没什么鸟意思。
过于平淡,但是是我喜欢的那种无聊生活流电影,画面复古怀旧,大本还是很帅的。
美国的成功学鸡汤电影是我最不理解的电影之一
又一部阳光温情电影!😆 虽然JR他爸始终是个混蛋,但幸运的是其他人人都好好!
看完感叹导演剪辑讲故事的能力真的很重要。
情节,表演,选景,拍摄,道具都没有吸引力,消磨时间也有点费劲
又一部阳光温情电影!😆 虽然JR他爸始终是个混蛋,但幸运的是其他人人都好好!
20220119——19;根据同名自传改编。影片有一种怀旧色彩。
看到赵震雄就想起了《信号》,就像看见崔宇植就想起了魔女里面的坏小子。
观感还可以,韩国人拍警察电影确实比较擅长,描绘人物、剖析社会内涵都还不错。
韩国电影现在很多千篇一律,毕竟历史局限性,比起百花齐放的中国电影还是差距很大的
个人觉得还行,可能是赵震雄和崔宇植的滤镜加持。对于目前必须把看片时间用在刀刃的我来说,不失望
The Tender Bar script is based on the best-selling 2005 memoir of the same name by J. R. Moehringer, which tells the true story of Moehringer's childhood growing up in Long Island, New York in the 1970s and '80s.
游走于灰色地带的警察组织小说,像漫画一样夸张失真,无聊又鸡血,贩卖些廉价变味的所谓“正义感”,关键是拉拉杂杂两个小时的片长,居然连一件完整的事情都没表述清楚。韩国这个“广域搜查队”就是美国的FBI吧?
在个人主义大行其道的年代里,珍视家庭、崇尚学历、男尊女卑、门当户对的传统价值观,依旧会持续不断的引起大众的共鸣。当这一切与年代感十足的条纹衬衫和敞篷汽车无缝衔接的时候,竟令人回味到一丝恍若隔世的温暖。
男主和舅舅之间、还有姥爷之间都很温馨,一家子人吵吵闹闹互相嫌弃但心是在一起的。就是男主上大学后面比较无聊😅😅😅
简单又温暖人心的故事。努力学习与一点点运气就是普通人的出路。
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