剧情介绍

  Wounded and on the run, notorious gunman Quirt Evans (John Wayne) gallops onto a farm owned by Quaker Thomas Worth (John Halloran) and his family and collapses. When Quirt urgently insists upon sending a telegram, Thomas and his daughter Penelope (Gail Russell) drive him into town in their wagon. After wiring a claim to the land recorder's office, Quirt kisses Penny and then passes out. Ignoring the doctor's advice to rid themselves of the gunman, the compassionate Worth family tends to the delirious Quirt, and Penny becomes intrigued by his ravings of past loves.
  Quirt recovering under the care of the two women (from left to right: Rich, Russell, and Wayne)
  Days later, when Quirt regains consciousness, Penny patiently explains the family's belief in non-violence. Three weeks later, Laredo Stevens (Bruce Cabot) and Hondo Jeffries (Louis Faust) ride into town looking for Quirt. When Penny's younger brother Johnny (Stephen Grant) rushes home to inform Quirt of his visitors, Quirt quickly prepares to flee. Penny, now smitten with Quirt, offers to run off with him. At the sound of approaching horses, Quirt grabs his gun and discovers that it has been emptied. Training his gun on the doorway, Quirt calmly greets Hondo and Laredo. Thinking that Quirt has the upper hand, Laredo offers to buy his claim. When Quirt sets the price at $20,000, Laredo hands over $5,000 in gold and challenges him to come for the balance when he is able – if he has the nerve.
  Afterward, Quirt saddles his horse, but when Penny begs him to stay, he changes his mind. Later, Quirt learns that cantankerous rancher Frederick Carson (Paul Hurst) has dammed up the stream that runs through the valley, thus draining the Worths' irrigation ditches. Quirt intimidates Carson into opening the dam.
  One Sunday, Penny asks Quirt to join the family for a ride. Before they leave, Marshal Wistful McClintock (Harry Carey) comes to question Quirt about a stagecoach robbery. The family swears that Quirt was with them at the time. The marshal then asks Quirt why he resigned as Wyatt Earp's deputy, sold his ranch and crossed over to the wrong side of the law soon after cattleman Walt Ennis was gunned down in a saloon brawl. When Quirt refuses to answer, the marshal leaves. Penny then begs Quirt to steer clear of Laredo, and he acquiesces because of his love for her.
  As Quirt and the Worths ride to the Quaker gathering, Quirt's erstwhile sidekick, Randy McCall (Lee Dixon), tags along. Randy tells Quirt that Laredo plans to rustle a herd of cattle and suggests that they then steal the herd from Laredo and let him take the blame. Mr. Worth gives Quirt a Bible for ending the feud with Carson. Fearing that he will never be able to live up to Penny's expectations, Quirt abruptly leaves with Randy.
  Quirt and Randy steal the herd from the original rustlers. They then celebrate with showgirls Lila Neal (Joan Barton) and Christine Taylor (Rosemary Bertrand). When Lila, sensing a change in her old flame, teases Quirt about his Bible, Quirt becomes angry and rides back to the Worth farm. Overjoyed, Penny throws her arms around him, just as the marshal arrives to question Quirt about the rustling. Quirt states that Lila can provide him with an alibi. Penny is hurt that Quirt was with his old flame, who she heard him talk about in his delirium, thinking Quirt prefers Lila's fair hair. Quirt realizes the depth of his feelings for Penny, and they kiss hungrily in the barn, while the camera fades.
  The marshal warns Quirt that he is the wrong man for Penny. Quirt decides to propose to her anyway. Instead of replying, Penny invites Quirt to join her picking blackberries. Quirt answers Penny's questions about his early life. Kindly Walt Ennis raised him after his parents were massacred by Indians. Then Ennis was murdered.
  Quirt and Penny are ambushed and chased by Laredo and Hondo on their way home. Their wagon plunges over a cliff into the river, causing Penny to develop a dangerous fever. When the doctor informs Quirt that there is no hope for her, Quirt straps on his pistol and rides into town to exact revenge. After Quirt leaves, Penny's fever suddenly breaks.
  In town, Quirt sends Bradley to tell Laredo and Hondo he is waiting for them in the street. Penny and her family arrive. She gets Quirt to surrender his gun to her. As Laredo and Hondo draw their guns, Marshal McClintock shoots them both. Quirt rides off in the wagon with Penny. The marshal picks up Quirt's discarded weapon. Bradley comments that Quirt may need the weapon, to which the marshal says, "Only a man who carries a gun ever needs one." And, the film fades to black.

评论:

  • 侠帆 6小时前 :

    看完了!其实是三星半啦,但蛮喜欢最后的结尾所以直接打了四星。是心目中的神仙卡司🥰这种类型应该很小众?但我很爱!之前看柯南堡的电影就很爱,算上这次他和v已经四搭吧🥺

  • 伯颖秀 6小时前 :

    为什么我看的像个半成品???打算出系列电影?

  • 侯千雁 9小时前 :

    4.0。1.莎士比亚的哈姆雷特无疑是一个天选之子,背上了替父报仇的宿命,彰显的是人文主义者的理想驱散现实黑暗。罗伯特·艾格斯的阿姆雷特是自以为是天选之子却不得不背上替父报仇却只能共毁灭的命运,一个是人的觉醒,一个是人的毁灭,大相径庭。2.连带着北欧风光的摄影更多选择了黑白色彩,尤其是对门的使用,门内门外两个世界,从门中窥视仇人复仇,又从门走向下一代新生。3.如果没有大银幕的直观观感,给予任何过多的评价都显多余。

  • 吾倚云 4小时前 :

    不知为何,想起绿衣骑士……剧场出身的导演是不是很容易就很沉迷这种戏剧感啊。人复仇就会死……

  • 卫煌宽 0小时前 :

    导演把肌肉、刀锋、血腥融入到一个莎翁剧中,用他擅长的宗教议题(命运女神、女武神与王国命运),引入运动镜头、旋转镜头、迷雾等把几个单一话剧舞台(远景定格)串联,带来感官式正剧。不错,这年头拍正剧的人太少了,能拉到中型投资不容易。比最后的决斗好,完整且处理女性的方式不楞,但内核过于简单,可能并不讨喜。还喜欢几次夜景的处理方式,尤其是直拍夜景或简单调色,想起了《白鲸记》

  • 徭夜绿 6小时前 :

    整体架构讨论关于命运和决心;但其中所填充的剧情连贯度不行,缺少细节上的铺垫

  • 易运乾 3小时前 :

    北欧人的脑回路清奇。

  • 婧静 7小时前 :

    为什么我看的像个半成品???打算出系列电影?

  • 厍雨真 3小时前 :

    我希望导演能够出一期布景调色教程,顺便再给安雅拍一套精灵女神风的裸体写真。其它的就算了。华而不实,这是我对《北欧人》和《女巫》的评价。

  • 家阳 9小时前 :

    都能看下去,可看到最后有点受不了跳了一下,结果就结束了。。。2.5

  • 勾惜珊 5小时前 :

    四星半。最喜欢的《哈姆雷特》改编。完全剔除了莎翁戏剧的多愁善感。神话和写实水乳交融。

  • 姜香桃 5小时前 :

    MTV拍法,预告片式剪辑,北欧实景莎翁印象

  • 奚高峰 3小时前 :

    这类神神叨叨又具荒蛮气息的故事,我永远看不腻。

  • 云呈 7小时前 :

    故事神神叨叨,节奏拖拖拉拉,内核空无一物,口音又别扭得毫无必要。

  • 仆明诚 5小时前 :

    为了看E大,结果看了个寂寞,夫妻档后的母子档怎么看怎么别扭!

  • 喜浩博 0小时前 :

    6.5分。阿姆雷斯本来就是哈姆雷特的故事原型,指责故事老套没有必要。故事的问题在于女性角色的处理,从片中Olga对自己能力的评价和王后角色的结局可以看出,剧本是有想过表达女性在奴隶制部落国家所展现的独特力量的,预言也揭示了maiden king的存在;然而Olga最后之所以男主被抛弃和认可,仅仅是因为自己带有国王的血肉,她的价值还是生育机器,本应成为王后对立面的她陷入和王后如出一辙的悲剧,也没有其他的戏份去展现她通过自己的力量去抗衡这种父权制。爱情线是其中最奇怪的,瓦基里出现后的戏份都不对路,过于明亮鲜艳的滤镜,驰骋冰岛用的航拍镜头,这影响到了整部电影的拉斯疯格调(女性被压迫+肢解镜头+男主姓斯卡斯加德),甚至影响到了爱情线本身,男女主野战的镜头可是疏远而冰冷,符合男主被仇恨和预言驱动的人设

  • 夙盼夏 8小时前 :

    嗯 有了好工作不一定有好配偶,有了好配偶不一定有好孩子,确实不指望就是最大的指望了,放宽心一起迎接水滴

  • 奇文德 7小时前 :

    虽然制作全面升级,但仍是艾格斯地域民俗神秘主义类型体系的一部分,但与前两部作品明显不同之处在于《女巫》和《灯塔》中诗歌般的恐惧之源统治了叙事——一层无法言说的薄膜迷惑了我们对电影中世界的理解,那是年代久远又从未可知的自然或超自然的浑浊邪恶,以及人与人之间始终存在的心灵壁垒和随之产生的扭曲畸变,可以感受到《北欧人》中艾格斯同制片厂之间的拉锯战,最终的结果便是这个“哈姆雷特”的原型故事在明确甚至可以说简单的动作惊悚片主线外又保留着对角色行为动机的高浓度的神秘色彩修饰,于是这便形成一个这两种驱动力谁都可以离开谁而更加自我的单独存在的尴尬分裂境地,庆幸于艾格斯对视听演出风格的统一和坚守,没错,这或许是日渐迟暮的好莱坞今年最具风格化和破坏力的作品,它依然值得影迷去观看,更值得一个导演剪辑版的圆满补完。

  • 方静枫 0小时前 :

    合着拍了两部恐怖片但是终极梦想是拍这个对吧?救命,2022年了,我为什么要看一个15岁男孩在2002年写的自我代入同人?还两个小时!没有那么差,我相信会有人喜欢的,也很容易找到点吹(很容易产生一篇内含50张图的流量影评),但对我来说真的很折磨,毫无惊喜甚至后半程内心毫无波动,what a cringefest.

  • 姬慧心 3小时前 :

    北欧粗犷血腥王子复仇记,风景很美,血腥暴力镜头也有独特美感,安雅更是美到不行是我看本片最大的初衷和动力。但是因为稍微掺杂了一些神神叨叨的元素,以及主角Amleth某些谜之操作,然剧情慢慢往作死的方向发展。而且电影实在太长,明明能快速复仇,几次有机会复仇,偏不。回头想想,有点不爽。

加载中...

Copyright © 2015-2023 All Rights Reserved