这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
因为你长得最像没得性病的！
全演员脑残粉 性格酷爽 灵魂有趣 生活不腻。 这是成人约炮宣传片吧？但首先也得有女主的境界 才有机率遇到可以携手的对象，因为现实世界杀猪盘估计占比居多。
韩式成年人的反套路爱情甜品很久没看了，还不错
Character translates anywhere
韩国人，恋爱缺席？谁信啊！剧情很套路，先性后爱理念上当然可以，但实践起来必然没这么顺利，第一次约就碰到真爱这个概率为零吧。女主角这样的怎么可能没有竞争力！
因为是炮友，因为觉得人生不会有更深入的牵扯了，所以第二次见面就能聊些难以和家人或密友启齿的东西，很容易过度坦诚，编剧应该是有过不止一个炮友的，非常真实。男主有种禁欲感又带点不完全自信的拘谨，数度让我想到Jack，但都器大活好，是很值得被喜欢的类型，女主有记忆点又很欲，问男主我厉害吗的时候真的很像我当年（我就真的是很厉害啊：）爱上得太突然了，两个人都是，分明是童话啊。妈的现在觉得做爱也很无趣，爱情也很无趣，想要回到2018年
爱情就是高难度情感劳务服务哈哈哈哈哈哈哈，exactly！
两个极度渴望亲密关系的寂寞可怜人遇到彼此像抓住救命稻草，没有感受到心动，可能真的是爱情缺席的爱情片。全钟瑞此片造型不太适合她，不然单欣赏美女就可以给三星以上。
喜欢这部电影轻轻的，慢慢的的感觉。当然本身还是有些太童话了，小姑娘做梦似的。
棒子电影惯用的套路，剧情就那么回事，打点小擦边球，胜在主演们比较讨喜。
因性而爱，女主这颜…渲染过度还是do过度，只能说口味蛮独特
美国电影总是体现着美好爱情和英雄主义，也确实，这样是可以让很多人崇拜和向往的。运动题材总能拍的这么好，我国还是荒地，希望今后多出一些好的运动片子。
两个极度渴望亲密关系的寂寞可怜人遇到彼此像抓住救命稻草，没有感受到心动，可能真的是爱情缺席的爱情片。全钟瑞此片造型不太适合她，不然单欣赏美女就可以给三星以上。
是个在一月份电影大灾难时不错看的传记片。故事线流畅，看完又懂了点橄榄球。
全钟瑞，太平洋宽肩（可能是头小），在燃烧里好像身形更窄。孙锡久完全不显年纪啊。
和十来年前的《炮友》《不求回报》等类似电影其实没区别也没新意啊。而且以正常人的思维，女主事业都发展起来了还会想着利用自己的人吗？不过有一个点倒是说的挺准的，欠那么多债哪有资格恋爱。cue玄彬和朴宝剑我笑了。全钟瑞太可以了。
莎士比亚也说过，爱情是一种精神病。相遇的缘分啊，无论经历什么困难，终究还是会相遇的。相遇的缘分终究会遇见吗？有想再遇见的人是吗？
男人话多和性张力是不是成反比？孙锡久话多的时候就不性感了
两位主角其实都很迷人，但本子比较一般。很像“我的SP搭档”2.0版。
朴佑利开专栏能火起来还不是因为用了咸子英敞开心扉对他说的真心话和金句？所以男作家写得好不能真的反映自己的真实水平，而是盗窃别人的精神财富啊。除开这点，咸子英这个女人是真的有魅力啊。金钟瑞讲话的发音好好听，怎么形容呢？像猫？
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