"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
看三分钟解说都嫌长，这种一句话剧情没必故弄玄虚拍出来。
还是太贪了，拿一小坨走不好嘛，非要赔上性命。结局看到老头子死了就放心了。
还行吧，近期演的比较顺眼的一部了，中间有一段演得很好，不说话的时候也不错，其他还是老样子。叙述和摄影都没什么新鲜，内容过于简单平淡，没有应该出现的渐进和变化，有的台词和剪辑白到令人尴尬，画面质感好雷啊，这打光像劣质电视剧。
老话说“有财最怕同路人”，尤其实在这个末日荒土的背景之下，法律早已失效，也许男主最正确的选择就是一开始就杀死司机。
派派的演技也救不回这糟糕的剧情，但是这剧情又映射了这几年新冠疫情的真相，两星不算少
很多概念 故事拍成短片会惊艳，长篇则惨不忍睹
男主在侮辱观众智商。飞机里躲的好好的不行吗？爬到前面是几个意思？生怕别人不知道你？
退伍老兵加入神秘队伍，干的却是鸡鸣狗盗的伎俩，被出卖后愤然反抗……
贪婪要不得 要是我 敲一块带走 此地不宜久留
一般。结尾去反杀，朋友竟然不穿防弹衣，剧情导向明显的像bug。
人为财死。欲贪过强，放弃了能生还的机会。后面两个女人有点突兀，没有那两个女人会更好一些，或者她们发现的更早？
虎头蛇尾，挺好一主题，退伍军人尤其是特种兵的问题，处理不好就是一大问题。最后草草收场。
故事并不复杂，剧情不太合理。赴汤蹈火兄弟俩接住了彼此的戏，其他人物要么扯淡，要么没扯完就挂了。
贪婪是原罪，一个人，一个荒原，基本没多少对话，看起来却一点不无聊
螳螂捕蝉 黄雀在后 男主角频频犯错看着上火
影片像是《等待戈多》+《盖瑞》+《沙海漂流人》的揉杂，风格又类似《亡命雷区》+《生死之墙》，沙漠的残酷让人对一切都产生了幻觉，在任何极端的环境下，活下去就是最大的成功。成天卖肉扎克埃夫隆也到了想磨练演技冲击一波小金人的年纪了。
除了结局不喜欢，男主角有点蠢笨之外，整体氛围很棒
前戏太长，故事单薄，为啥要做掉主角？为啥一帮拿着美国护照的b可以在德国街头打CS？为啥最后大暴斯是谁都不知道就干死了个承包商，还搭进去了配角兄弟的命？难道就因为他说过类似我死了你帮我带口信给家里人这种不吉利的话吗？干嘛对配角的话这么较真，非得弄死人家？主角你tm后来带信了嘛？
拉胯的剧情,硬凹的冲突,感觉在学谍影重重 1 的桥段,男主被搞的很惨后顽强反击,但...尴尬的是并没有,我认为如果窃取研发疫苗的材料,并不是杀掉雇佣头目就能了事的,一定还有大靠山在后面站台,然而这个剧情好像就happy的结束了.
这电影……退伍兵干的就是黑心活犹犹豫豫不专业，团队配合时间算不准，与警察枪战，在闹市区枪战，在老窝枪战，最迷惑的是为什么杀主角？如果拍爽片也不计较这些逻辑，可惜还搞一大堆文戏。是个渣片。
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