Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
伤残老兵露露狗，驾车千里送战友。路途漫长现真情，此生携手一起走。
安东尼·福奎阿怎么总是拍一些不过不失的电影，就像是行活制造机，让人看完之后觉得没什么亮点但又不能说它烂。本片完全是通过对话构建的场景，所以文本要很强大，可惜看到一半就会猜到真相，后面就了无乐趣了，男主塑造过于躁狂，把一个可怜人帮助可怜人的故事诠释得没有共情力，也是比较失败的地方。
美国老兵与老狗一样，用完就被抛弃，这很美国
我觉得好看的。
片子应该叫救赎 一个美国大兵和一条受伤的军犬 互相救赎的过程
人和狗这一路上走过温馨种大麻的家 去过最豪华的酒店，见过彼此的家人，在下雨的路上车抛锚，相互陪伴，扶持着走下去
美国老兵与老狗一样，用完就被抛弃，这很美国
近期看的第二个公路电影，最好看的还是芬奇。这个很难有共情的地方，受感动的点get不到，感觉电影是很想去感动你，但咱们并不领情。
抵触 和解 自我反省 better life。可预想到的流程，只是好久没看过钱老板的片了
还行，最后比较感动。
中规中矩的公路片，感觉旅途中大部分事件都是点到为止，缺乏有深度的情感建立过程。Channing Tatum前半段演得好浮夸，后边渐入佳境，喜欢狗狗带领主人在城市历险寻找失物那段，可惜太短了没能再展开一点。
不可避免地需要跟原版对比了。画面和背景音都缺少了原版那种沉静、阴冷的质感。老吉的演技还是很好的，特别是在结尾处的爆发。最后情节上有一些小改动，其实完全没必要。还有就是结局实在太拖沓了，没有原版简洁有力。
影片还小嘲了时下都市里喜欢以貌取人，头脑简单，没有深入了解就给任何事或人简单粗暴贴标签的怪象。
查宁塔图姆和之前合作过的编剧，一起编剧导演，人和狗的故事，找到自己，还行吧，6.8
倒是真的蛮考验演技的，案子设定的也还不错，但是强套时事的感觉真的很僵硬，而且和同样类型的searching比起来，模式太单一太省钱了，一开始还挺新鲜的后来只觉得太单调无趣了。
确实没什么惊喜，无功也无过，钱老板和汪的feel good片
三星半吧，我永远爱狗片！剧情没啥惊喜，壮汉+漂亮大黑脸+公路片，陪伴是温暖的。
讲的人和狗的PTSD。
一人 一狗的相互救赎之旅，有时候狗真的比人更让人放心。
前面太过平淡了，关怀老兵心理的同时，也要关注军犬的心理。
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