"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
7.1分，《肿瘤侠》这个译名更有趣。
前半段剧情毫无新意，俯视视角好惊艳。后半段剧情终于腻害了。偶像还是偶像。
以为自己在看大内密探零零发，太无厘头了吧。
仁者见“仁”。
話說不知道溫子仁這部片的靈感由來有沒有受到史蒂芬金的異鄉人影響呢
至少温子仁能够艺术表达和市场受众两手抓，也是种本领。
⚠️不管你支不支持咱国所谓的“正版”，原版都是得看的，一秒钟都不能少。
特别是倒着走路
我的天 这让我想起走近科学里有一期类似的 没那么极端 但那是第一次知道寄生胎
James Wen时隔五年重新指导了一部新的恐怖电影，不再是作为制片而是导演的身份。光这一点就足够吸引人，故事前期还是James经典的房间恐惧那一套，后期就开始放飞，变成了血浆飞溅的恐怖片。一场从牢房一直打到警察局的戏码很是过瘾，让人看着格外舒畅。故事有很多地方都有中古世纪铅黄电影的痕迹，而且电影的主要梗还是身体恐怖那一套，整体表现还是很好的。其中一个俯视镜头还印象挺深，也算拍出一些不一样的东西。20211002
观感很棒 揭底的时候 那种爽感堪比看怪物电影大boss出场 血腥刺激
捨本逐末的創新，有一些噱頭，最後還是顯得空洞啊。
温子仁的氛围还在，故事已经开始受到共产主义的熏陶了。
灵异附身、鸠占鹊巢的故事，没想到还真能看到“打开脑洞看世界”，不过故事比较单薄，在温子仁的导演生涯只能算中等。
故事整体比较简单，就是Jump scare太多后面反而觉得没怎么被吓到…另外Gabriel开口我还以为他会说「I’d like to play a game…」🤦♂️
后面警局真精彩，诡异的行动模式，故事简单粗暴
但是整體驚悚的就是恰到好處
这不是喜剧来的？？不是说删减就对，但就费解这种水平的有啥好吵删不删减的，删减真的对成片影响有那么大？？虽然这么说有点极端，但房间就算再出“完整版”、“导演剪辑版”也是房间，不是每部电影是天国王朝啊
果然看不见的东西永远是最可怕的，不过既然共享一个身体，这攻击力差距也太大了。
血腥残暴版Frozen？这个剧本只看前十页是咋给green light的？先立项然后赶着拍赶着写？
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