After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
一直在cue人鱼公主的故事但真的好俗，安徒生看到你们这么捏他都要气活了吧
看了个寂寞
如此完美的制作班底，竟然诞生出这样一部不伦不类的作品，只能说太浪费了。
只为与你相遇，
动作踩点设计得这么带感，什么时候做款游戏呗😆
跑酷那麽溜，前世是不是都用過立體機動裝置😂 畫面不錯，截幾張壁紙差不多了。想探討的東西可能他們自己也說不清楚，於是劇情就變成了這樣。
看点就是跑酷的动作戏和唯美的画面。但是这些也真的救不回来剧情，就这个飞机稿你再拉10个老虚也救不回来。仿佛看到网飞人傻钱多，被几张原画和卡司吸引就投了钱的场景……角色，甚至连主角都不立体，也算是一种能力了吧。也许拍成番会稍微好一点？不推荐观看，浪费时间…
2倍速都嫌慢 这是老虚？这是诈骗吧 女主最后消失的过程特别像洗衣粉放多了
两次看完 第一次看睡着了 第二次跳着那后面看完了 像十几年前的作品 不只是故事 形式古旧的原因 挺有粗制滥造的那种感觉的
很喜欢，某两段跑酷看了好几遍，感觉终于是看上了巨最终季，当空气中都是漫天飘荡的泡泡海，teenagers依旧在做出漫无目的缺乏逻辑的举动，窝眼泪直飞
这个剧本实在是…但是疫情期间能看到这样一部中二华丽的跑酷动画实属开心～
不得不说，WIT的“立体机动装置”非常的“丝滑，作画也确实很美，随便一截图都可以当做壁纸，但这空洞感觉没有太大意义的世界观和剧情人设，实在是撑不住啊
这基本就是一部纯炫技的作品吧！
跑酷的动作，精致的作画，就够了，泡泡已经完成了它的使命，不要太期待其他。
看点就是跑酷的动作戏和唯美的画面。但是这些也真的救不回来剧情，就这个飞机稿你再拉10个老虚也救不回来。仿佛看到网飞人傻钱多，被几张原画和卡司吸引就投了钱的场景……角色，甚至连主角都不立体，也算是一种能力了吧。也许拍成番会稍微好一点？不推荐观看，浪费时间…
中间都说了这是个美人鱼的故事了，就更没什么期待了。
荒木哲郎+虚渊玄+泽野弘之+小畑健+wit studio，只能说buff越满越让人失望。
以《海的女儿》为蓝本，结合末世情节（我认为是核战争的诗意表达），宣扬爱的主题。
整部动画优点和缺点都很明显。画面和音乐无疑都非常不错，但是人物形象的刻画和剧情的铺垫和收尾我认为都做得不是很好。
尖子生考了不及格的感觉。你们不要再对视了！
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