"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
是时隔半年第一次在影院看电影，明明知道是一部老套的好莱坞爱情喜剧电影但是就是想简简单单快快乐乐的开心一下，从头都可以猜到最后，起承转合工工整整。劳伦兹真的好厉害53岁这么抗打，看这部电影主要是因为她和大本今年的恋情风风火火，想看看电影里的她会什么样子，果然值得一周四次。插曲真的巨好听，果断放到qq音乐里。整体观影满足，觉得好的电影最佳就是满足预期，超过预期都不奢望，我得到我要的就足够了。
总是能看到恶行里面的样子，那个形象印象深刻
像是回到十年前，在晚上看一部浪漫爱情小妞片
另外，亲嘴的时候被撞死...?原谅我不厚道但是莫名喜感。
明明是喜剧+圣诞 看得我心都快碎了 所有能说出“我不想失去你这个朋友”的人 都是没有共情能力的人 为什么不能换位思考一下对方的想法呢 对方难道就想失去这个朋友吗 但是冒着这样的风险却还是说出口了 为什么 想过吗 以及 这句话本身就是伪命题 说出口的瞬间 就已经在渐行渐远了 当然 如果现实能有电影里这么多全方位助攻 而且两个人本身就双向的 当我没说
奥林巴斯红吉普，浪漫老调听不烦。
“我爱上了自己最好的朋友”这一点在gay cp这里似乎行不通，因为姐妹起来就真的很姐妹。刻板印象了sorry。
电影院看加一⭐。烂番茄🍿指数92，剧情俗气但也轻松，冲突化解得太容易了。买电影票送演唱会，歌真的好听，西语歌让人想跳舞。女同部分的台词没删，估计是觉得这片没什么水花。演员还不错，maluma挺壮，jlo状态真好，手臂上的肌肉，演30多岁还是让人信服的。有一句台词I don't even know her.逗~
总体上说很不错很感人，但现实与回忆的转场有一两个比较乱。凯儿·艾伦是有点帅
如果尬到不行的异性恋deserves a cliche Christmas romcom, why not LGBTQ???
另外，亲嘴的时候被撞死...?原谅我不厚道但是莫名喜感。
好喜欢这浪漫又圣诞的气氛，男主也是我从ugly Betty就爱的演员，有幸在美国见过本人，也是超可爱
Another fairytales in this modern world with the rough-cheap, electric-pop music. Which is kind of depressing. And i don’t see any match or spark between them, i mean they’re both excellent actor or actress but they just can make it a couple. It’s just boring.
年轻时代的爱情，在车祸后男主以灵魂形式一步步引导女主回到车祸前表白的一刻，让女主没有了遗憾重获生与爱。
scary and funny. Cheap Netflix film
没什么逻辑，男女主间的矛盾非常无聊，整体剧情就好无趣。只不过是一个走出伤痛学会告别的故事，却一地无意义的鸡毛蒜皮。全片的精华在两人最后的告别女主说的话那里，但是没通过片子完整展现出来……
怎么也得是个黑帮大佬007地下拳击手？数学老师还蔫蔫的真尬
美式印度歌舞片，感觉宝莱坞分分钟能翻拍一个。对男主的印象还停留在《上海正午》，没什么变化，发型都一样，就只是老了；女老师的嗓音，要翻拍老友记能演珍妮斯。
手机全关机的考场 never tear us apart 一响起 鸡皮疙瘩瞬间起来 / 很喜欢最后那段ghost的解读 / 如果不是车祸真的太太太草率 分也不至于这么低 / - Because you're...beyond repair. - I get close to people and they disappear on me. - You just gonna push me away like you do everyone? - If I hadn't spent my whole life just pushing everyone away,I would have understood that. - 我们每个人都被鬼魂缠身 童年创伤 未完成的梦想 失恋……
女版“霸道总裁爱上我”，男主的鼻子太抢镜了。
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